[UWcinema] Fwd: (Corrected Link) Feminist Media Histories - New
Issue FALL 2023: Open Issue
UW Cinema Studies List
uwcinema at u.washington.edu
Wed Oct 18 11:20:20 PDT 2023
Hi again,
Sorry for sending multiple emails. I inserted a wrong link to Jennifer's
introduction in the previous newsletter, so I am resending a corrected
version. Can you please distribute this again so that everyone has the
right link? Thank you!
Here is the original message:
Hi folks,
I hope you are staying warm and dry! I'm pleased to announce that our Fall
2023 issue is now live on our website:
https://online.ucpress.edu/fmh/issue/9/4
This issue features one interview by our own *Sarah Choi* in conversation
with *Sasha Su-Ling Welland*, chair of Gender, Women and Sexuality Studies
and Sabrina Craig, director of South Side Home Movie Project in Chicago.
Another interview is by *Leilani Nishime*, professor in Communication and
adjunct faculty in CMS, conducted with directors of the Seattle Asian
American Film Festival. Jennifer Bean's introduction "Feeling Videographic
Criticism" talks a bit about the Queer Feelings and Videographic Criticism
seminar she taught last spring, which inspired this issue.
I'm attaching the FMH newsletter below. Let's give a round of applause to
these amazing contributors from our own community!👏👏
Best,
Yumo
---------- Forwarded message ---------
From: Feminist Media Histories <fmheditor at ucpress.edu>
Date: Wed, Oct 18, 2023 at 11:12 AM
Subject: (Corrected Link) Feminist Media Histories - New Issue FALL 2023:
Open Issue
To: <yy2887 at uw.edu>
CURRENT ISSUE
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OPEN ISSUE
Vol. 9 No. 4, FALL 2023
FEATURED ARTICLES
Introduction: Feeling Videographic Criticism
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JENNIFER M. BEAN
VIDEO ESSAYS
Filling (Feeling) the Archival Void: The Case of Helena Cortesina's Flor de
España
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BARBARA ZECCHI
Climate Rage: Extractivism and Dispossession in The Olive Tree
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CELIA SAINZ
Joséphine Baker Watches Herself
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TERRI FRANCIS
Falling: 3 x Girls in Uniform: The Video Essay as Curatorial Practice
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CATHERINE GRANT
ARTICLES
In Search of Zora Neale Hurston in Hollywood
KALLAN BENJAMIN
"More Hawaiian Than Hawaii Itself": The Hula Craze and US Empire in the
Progressive Era
BRIAND GENTRY
Creating a "Feminist Nation": The International Videoletters Network,
1975-77
LEXINGTON DAVIS
INTERVIEWS
Cross-Generational Storytelling: A Conversation with Sasha Su-Ling Welland
and Sabrina Craig
SARAH CHOI
Creating Community: An Interview with Vanessa Au and Ellison Shieh of the
Seattle Asian American Film Festival
LEILANI NISHIME
FUTURE ISSUES
Media Identitopias: The Long History of Pleasure and Injury in (Social)
Media
Guest Editors Rebecca Wanzo and Reem Hilu
Curating Feminist Film Archives
Guest Editors Maggie Hennefeld and Laura Horak
Latinxs and Digital Media
Guest Editors Frances Negrón-Muntaner and Orianna Calderón-Sandova
CALL FOR PAPERS
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Intimacies of Scale
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Guest editors Laliv Melamed, J.D. Schnepf, and Tess Takahashi
Gender, Media, and Developmentalism
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Guest editors Dalila Missero and Masha Salazkina
WRITING AWARDS
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SCMS Gender and Feminisms Caucus Graduate Student Writing Prize
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Submissions due
November 1, 2023
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.
Dear colleagues,
We're pleased to announce the Fall 2023 issue of Feminist Media Histories
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.
Please note we have two active CFPs
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see below for details. We are also accepting submissions for the SCMS
Gender and Feminisms Caucus Graduate Student Writing Prize
<https://urldefense.com/v3/__https://r20.rs6.net/tn.jsp?f=001oPtuZeb0qX5voutRYJJDmBoleGPn40igY1XQ5x2a-cAsAbmRCODn62zkn6PYdQ2k5zKO3ZQf0igdHTcI-fpVDyh7ZYzTY8Thhv7OPZrkuCmKDjcyzsGOQUAPCK1SqWf92UvpDioCQ_drcEUZaBy9CqZn_SKb022p828ghzrYdpEqrFuG68cg8A==&c=P76B4ieAtWWAf1T-_kd7jUt47SaRFaVSFnJE-GsOwVg-_jWNZ8qRhg==&ch=FPaumCBr7uU9vTWUnWDwdUug7FOPEj7U5yOs9EDp6vXaHFzggJc-sg==__;!!K-Hz7m0Vt54!imNGeleavBbtuZVHF06GPkpnjzYzd4TF4DjFIaqbhGsUx-Uz4vWIrIbFqZWjjSc23k6vp8bns2QGHJo8Rx77J5E$>.
The deadline for this competition is November 1, 2023.
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Introduction: Feeling Videographic Criticism
This issue of Feminist Media Histories is the result of an experiment. On
one hand, it is the first open topic issue in the journal’s history, an
experiment undertaken to see what voices, perspectives and projects might
emerge without
a guiding theme. The result is brilliantly robust, including two interviews
that focus on local and regional media facilitators. In one, Sarah Choi
talks with Sabrina Craig, the director of community engagement for the
South Side Home Movie Project in Chicago, as well as Asian American
anthropologist Sasha Su-Ling Welland, about the imperative of women’s
cross-generational storytelling as a counterarchival feminist practice. In
the second, Leilani Nishime converses with Vanessa Au and Ellison Shieh,
directors of the Asian American Film Festival in Seattle, about the
“inherently feminist” and queer nature of their annual event. There are
also three research articles that, respectively, assert the centrality of
the grassroots feminist media initiative International Videoletters to
guerilla television in the 1970s (Lexington Davis), speculate on the
unfinished business of Zora Neale Hurston’s contract with Paramount in the
1940s (Kallan Benjamin), and interrogate the
fever for Hula performers in the US as a distinct mode of colonial
consumption in the 1910s and 1920s (Briand Gentry). These five entries,
which include Davis’ and Benjamin’s award-winning essays (2022 SCMS Gender
and Feminisms Caucus Graduate Student Writing Competition), would make for
a compelling issue. But there is another experiment at work in these pages,
conducted to explore the potential of videographic criticism for feminist
media historiographies and to announce the inclusion of audiovisual essays
in the pages of this journal. Because this mode of critical expression is
relatively new, and because efforts to coordinate feminist, queer,
decolonial and antiracist videographic work has been sporadic at best, it
makes sense to offer an overview of the concepts and materials at stake as
a means of introducing this issue.
To begin, then, what is videographic criticism? At the most basic level,
the phrase refers to criticism that is written (“graph”) with video. It
more broadly refers to a burgeoning area of research, inquiry and
experimentation that
repurposes sound and moving images to critically reflect on media comprised
of sound and moving images. Beyond that I’m not willing to say, insofar as
I agree with Drew Morton that defining videographic research too neatly
might stifle the field, prematurely restricting its potentiality. For this
reason, Feminist Media Histories will not prescribe the rhetorical form,
display structure or even the length of audiovisual essays carried in these
pages; we likewise welcome diversity in tone and style. We do, however,
expect this work to produce new knowledge-effects that speak to this
journal’s mission, and which might occasionally take the form of a
videographic “study,” “exercise,” or “experiment,” as with several of the
works that appear in this inaugural dossier. But our intention is to
predominantly publish videographic essays,
also known as audiovisual essays, or video essays. It is by now common to
note that the term, “essay,” which literally means “to try” or “to
attempt,” usefully conveys the explorative, experimental nature of this
multimedia mode of expression. For Feminist Media Histories, that term also
foregrounds the equal weight this journal grants to video essays and to
written
essays, a consistency that applies to the double-blind peer review process
that any essay published here will undergo.
[...]
Feminist Media Histories publishes original research, oral histories,
primary documents, conference reports, and archival news on radio,
television, film, video, digital technologies, and other media across a
range of historical periods and global contexts. Inter-medial and
trans-national in its approach, Feminist Media Histories examines the
historical role gender and sexuality have played in varied media
technologies, and documents the engagement of women and LGBTQ communities
with these media as audiences, users and consumers, creators and
executives, critics, writers and theorists, technicians and laborers,
educators, activists, and librarians.
Feminist Media Histories is published quarterly by the University of
California Press.
More information is available here
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--
Yumo Yan (she/her/hers)
PhD Candidate
Department of Cinema and Media Studies
University of Washington, Seattle
Managing Editor, *Feminist Media Histories: An International Journal
<https://online.ucpress.edu/fmh>*
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