<div dir="ltr">Hi again,<div><br></div><div>Sorry for sending multiple emails. I inserted a wrong link to Jennifer's introduction in the previous newsletter, so I am resending a corrected version. Can you please distribute this again so that everyone has the right link? Thank you!</div><div><br></div><div>Here is the original message:</div><div><br></div><div>Hi folks,<div><br></div><div>I hope you are staying warm and dry! I'm pleased to announce that our Fall 2023 issue is now live on our website: <a href="https://online.ucpress.edu/fmh/issue/9/4" target="_blank">https://online.ucpress.edu/fmh/issue/9/4</a></div><div><br></div><div>This issue features one interview by our own <b>Sarah Choi</b> in conversation with <b>Sasha Su-Ling Welland</b>, chair of Gender, Women and Sexuality Studies and Sabrina Craig, director of South Side Home Movie Project in Chicago. Another interview is by <b>Leilani Nishime</b>, professor in Communication and adjunct faculty in CMS, conducted with directors of the Seattle Asian American Film Festival. Jennifer Bean's introduction "Feeling Videographic Criticism" talks a bit about the Queer Feelings and Videographic Criticism seminar she taught last spring, which inspired this issue. </div><div><br></div><div>I'm attaching the FMH newsletter below. Let's give a round of applause to these amazing contributors from our own community!👏👏<br clear="all"><div><br></div><div>Best,</div><div>Yumo</div></div><br><div class="gmail_quote"><div dir="ltr" class="gmail_attr">---------- Forwarded message ---------<br>From: <strong class="gmail_sendername" dir="auto">Feminist Media Histories</strong> <span dir="auto"><<a href="mailto:fmheditor@ucpress.edu">fmheditor@ucpress.edu</a>></span><br>Date: Wed, Oct 18, 2023 at 11:12 AM<br>Subject: (Corrected Link) Feminist Media Histories - New Issue FALL 2023: Open Issue<br>To:  <<a href="mailto:yy2887@uw.edu">yy2887@uw.edu</a>><br></div><br><br><div class="msg7432597849545410940"><u></u>
          
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<p style="margin:0"><a href="https://urldefense.com/v3/__https://r20.rs6.net/tn.jsp?f=001oPtuZeb0qX5voutRYJJDmBoleGPn40igY1XQ5x2a-cAsAbmRCODn62zkn6PYdQ2k8xBj4U4HY-esxa_LmfPU9ChPSwL1JKhwJVUGLxT9huzrTf14nKHSV1prHUnjcBme4Bvli1fyLIwLEzIQ5w68FGCxjj1qgpkT8t3MYW284zE=&c=P76B4ieAtWWAf1T-_kd7jUt47SaRFaVSFnJE-GsOwVg-_jWNZ8qRhg==&ch=FPaumCBr7uU9vTWUnWDwdUug7FOPEj7U5yOs9EDp6vXaHFzggJc-sg==__;!!K-Hz7m0Vt54!imNGeleavBbtuZVHF06GPkpnjzYzd4TF4DjFIaqbhGsUx-Uz4vWIrIbFqZWjjSc23k6vp8bns2QGHJo8X3voV6o$" style="font-weight:bold;font-family:Verdana,Geneva,sans-serif;color:#0000ff;text-decoration:underline;font-style:normal" target="_blank">CURRENT ISSUE</a></p>
<p style="margin:0"><br></p>
<p style="margin:0">OPEN ISSUE</p>
<p style="margin:0"><br></p>
<p style="margin:0"><span style="font-family:Verdana,Geneva,sans-serif">Vol. 9 No. 4, FALL 2023</span></p>
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<p style="margin:0"><span style="font-size:12px;color:rgb(255,255,255);font-weight:bold;font-family:Verdana,Geneva,sans-serif">FEATURED ARTICLES</span></p>
<p style="margin:0"><br></p>
<p style="margin:0"><a href="https://urldefense.com/v3/__https://r20.rs6.net/tn.jsp?f=001oPtuZeb0qX5voutRYJJDmBoleGPn40igY1XQ5x2a-cAsAbmRCODn67-u4cfkRdeqqpxEghbEAVMspDOX6nrn3kE7dFDsxNxF2N4KP2wdcwldkMPLkzoHBc6uswhik65pluRH9Ng7AwqrmtnstE-xnpBuIF0Rt2c4O1l2OtmIIRf5jlOF-KE0TJ-RdZi9bmtGPP7owPgqs5fGgNC03xPX9DfL9i_U8ovTrgw3ulhZAcgL0wCmgGDG1BE3HkmE9Dhs&c=P76B4ieAtWWAf1T-_kd7jUt47SaRFaVSFnJE-GsOwVg-_jWNZ8qRhg==&ch=FPaumCBr7uU9vTWUnWDwdUug7FOPEj7U5yOs9EDp6vXaHFzggJc-sg==__;!!K-Hz7m0Vt54!imNGeleavBbtuZVHF06GPkpnjzYzd4TF4DjFIaqbhGsUx-Uz4vWIrIbFqZWjjSc23k6vp8bns2QGHJo868JBhZA$" style="font-size:12px;color:rgb(255,255,255);font-weight:bold;font-family:Verdana,Geneva,sans-serif;text-decoration:underline;font-style:normal" target="_blank">Introduction: Feeling Videographic Criticism</a></p>
<p style="margin:0"><span style="font-size:12px;color:rgb(255,255,255);font-family:Verdana,Geneva,sans-serif">JENNIFER M. BEAN</span></p>
<p style="margin:0"><br></p>
<p style="margin:0"><span style="font-size:12px;color:rgb(255,255,255);font-family:Verdana,Geneva,sans-serif;font-weight:normal">VIDEO ESSAYS</span></p>
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<p style="margin:0"><a href="https://urldefense.com/v3/__https://r20.rs6.net/tn.jsp?f=001oPtuZeb0qX5voutRYJJDmBoleGPn40igY1XQ5x2a-cAsAbmRCODn67-u4cfkRdeq8ogG2-3kxCNNWz3eSbf7gb1PRJ9r8mA4jopXLWHFMPyCypIMvC3wiw29lSek1MdPoPlLh-O_u-TqBritdN7gz8J04iIeC5XKRtIDXO7EAOsVoFYSd9GnQpI7RjP9TgDDaJfMEYhs0qzqa-2vyM5GaduP2Sp8roV41zKJ_Ie7Ew65z5oTtNSE4qbVcaQ90jKv&c=P76B4ieAtWWAf1T-_kd7jUt47SaRFaVSFnJE-GsOwVg-_jWNZ8qRhg==&ch=FPaumCBr7uU9vTWUnWDwdUug7FOPEj7U5yOs9EDp6vXaHFzggJc-sg==__;!!K-Hz7m0Vt54!imNGeleavBbtuZVHF06GPkpnjzYzd4TF4DjFIaqbhGsUx-Uz4vWIrIbFqZWjjSc23k6vp8bns2QGHJo8MqWw33s$" style="font-size:12px;color:rgb(255,255,255);font-weight:bold;font-family:Verdana,Geneva,sans-serif;text-decoration:underline;font-style:normal" target="_blank">Filling (Feeling) the Archival Void: The Case of Helena Cortesina's Flor de España</a></p>
<p style="margin:0"><span style="font-size:12px;color:rgb(255,255,255);font-family:Verdana,Geneva,sans-serif">BARBARA ZECCHI</span></p>
<p style="margin:0"><br></p>
<p style="margin:0"><a href="https://urldefense.com/v3/__https://r20.rs6.net/tn.jsp?f=001oPtuZeb0qX5voutRYJJDmBoleGPn40igY1XQ5x2a-cAsAbmRCODn67-u4cfkRdeqRSf5I2K31agNZXOu8KJ5k22MJ-DPpujj2cNXVsf6Tz7i5g36ZA7DUqpghW_L5Z1cBZkMh4NFlwwDEz9LRm78V-l3WiTv4dgbeyqoLOLR_7_Hgwb-YAGaGbUllcNBANEsMnjUUUL6naKsqPBB7qh-f4H_c_B9lNaDy0ZhSu7xePWkcrr-eA7rufsxE5i78F-6jkOCvA9SFLg=&c=P76B4ieAtWWAf1T-_kd7jUt47SaRFaVSFnJE-GsOwVg-_jWNZ8qRhg==&ch=FPaumCBr7uU9vTWUnWDwdUug7FOPEj7U5yOs9EDp6vXaHFzggJc-sg==__;!!K-Hz7m0Vt54!imNGeleavBbtuZVHF06GPkpnjzYzd4TF4DjFIaqbhGsUx-Uz4vWIrIbFqZWjjSc23k6vp8bns2QGHJo8n-mSx1A$" style="font-size:12px;color:rgb(255,255,255);font-weight:bold;font-family:Verdana,Geneva,sans-serif;text-decoration:underline;font-style:normal" target="_blank">Climate Rage: Extractivism and Dispossession in The Olive Tree</a></p>
<p style="margin:0"><span style="font-size:12px;color:rgb(255,255,255);font-family:Verdana,Geneva,sans-serif">CELIA SAINZ</span></p>
<p style="margin:0"><br></p>
<p style="margin:0"><a href="https://urldefense.com/v3/__https://r20.rs6.net/tn.jsp?f=001oPtuZeb0qX5voutRYJJDmBoleGPn40igY1XQ5x2a-cAsAbmRCODn67-u4cfkRdeqQlSJc5_12DXbXIwFyxka1eYA_nxqQlaZhG64boMeh8J4H0bsRen-QsuHq1XWnVlcopGzbiiMopGZWYl6XfxyydvT_6yyyrONmY2MMXzsMsfgW_0n-mMQSWTP5FHiliyUCyzMaTaV5-fzY6zUdRssqRF9lvx7sTuj5lf40HsWyGle2W0-uGyOuw==&c=P76B4ieAtWWAf1T-_kd7jUt47SaRFaVSFnJE-GsOwVg-_jWNZ8qRhg==&ch=FPaumCBr7uU9vTWUnWDwdUug7FOPEj7U5yOs9EDp6vXaHFzggJc-sg==__;!!K-Hz7m0Vt54!imNGeleavBbtuZVHF06GPkpnjzYzd4TF4DjFIaqbhGsUx-Uz4vWIrIbFqZWjjSc23k6vp8bns2QGHJo8P5TB_Zg$" style="font-size:12px;color:rgb(255,255,255);font-weight:bold;font-family:Verdana,Geneva,sans-serif;text-decoration:underline;font-style:normal" target="_blank">Joséphine Baker Watches Herself</a></p>
<p style="margin:0"><span style="font-size:12px;color:rgb(255,255,255);font-family:Verdana,Geneva,sans-serif">TERRI FRANCIS</span></p>
<p style="margin:0"><br></p>
<p style="margin:0"><a href="https://urldefense.com/v3/__https://r20.rs6.net/tn.jsp?f=001oPtuZeb0qX5voutRYJJDmBoleGPn40igY1XQ5x2a-cAsAbmRCODn67-u4cfkRdeqS0U4h6LgJyf_cR3Ltcs6SLNXwJ9sVN2YRrCc3iosBGu_rxxKv6WY_QsYgGac1SWCmpAmZJOXqpg1Q7XDRnTqCkEDICDsv3c_-PkjS8WT-z1fW_a-PfUHQOdwTUJLZo1qJcZF1X36HMshvdQhDYf38VKbKWlsPZuohdl2-yUam30PxeiqJA6PO3IWJmLMyz6b1wxsdoUDyKg=&c=P76B4ieAtWWAf1T-_kd7jUt47SaRFaVSFnJE-GsOwVg-_jWNZ8qRhg==&ch=FPaumCBr7uU9vTWUnWDwdUug7FOPEj7U5yOs9EDp6vXaHFzggJc-sg==__;!!K-Hz7m0Vt54!imNGeleavBbtuZVHF06GPkpnjzYzd4TF4DjFIaqbhGsUx-Uz4vWIrIbFqZWjjSc23k6vp8bns2QGHJo8kqciISY$" style="font-size:12px;color:rgb(255,255,255);font-family:Verdana,Geneva,sans-serif;font-weight:bold;text-decoration:underline;font-style:normal" target="_blank">Falling: 3 x Girls in Uniform: The Video Essay as Curatorial Practice</a></p>
<p style="margin:0"><span style="font-size:12px;color:rgb(255,255,255);font-family:Verdana,Geneva,sans-serif">CATHERINE GRANT</span></p>
<p style="margin:0"><br></p>
<p style="margin:0"><span style="font-size:12px;color:rgb(255,255,255);font-family:Verdana,Geneva,sans-serif">ARTICLES</span></p>
<p style="margin:0"><br></p>
<p style="margin:0"><span style="font-size:12px;color:rgb(255,255,255);font-weight:bold;font-family:Verdana,Geneva,sans-serif">In Search of Zora Neale Hurston in Hollywood</span></p>
<p style="margin:0"><span style="font-size:12px;color:rgb(255,255,255);font-family:Verdana,Geneva,sans-serif">KALLAN BENJAMIN</span></p>
<p style="margin:0"><br></p>
<p style="margin:0"><span style="font-size:12px;color:rgb(255,255,255);font-family:Verdana,Geneva,sans-serif;font-weight:bold">"More Hawaiian Than Hawaii Itself": The Hula Craze and US Empire in the Progressive Era</span></p>
<p style="margin:0"><span style="font-size:12px;color:rgb(255,255,255);font-family:Verdana,Geneva,sans-serif">BRIAND GENTRY</span></p>
<p style="margin:0"><br></p>
<p style="margin:0"><span style="font-size:12px;color:rgb(255,255,255);font-weight:bold;font-family:Verdana,Geneva,sans-serif">Creating a "Feminist Nation": The International Videoletters Network, 1975-77</span></p>
<p style="margin:0"><span style="font-size:12px;color:rgb(255,255,255);font-family:Verdana,Geneva,sans-serif">LEXINGTON DAVIS</span></p>
<p style="margin:0"><br></p>
<p style="margin:0"><span style="font-size:12px;color:rgb(255,255,255);font-family:Verdana,Geneva,sans-serif">INTERVIEWS</span></p>
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<p style="margin:0"><span style="font-size:12px;color:rgb(255,255,255);font-family:Verdana,Geneva,sans-serif;font-weight:bold">Cross-Generational Storytelling: A Conversation with Sasha Su-Ling Welland and Sabrina Craig</span></p>
<p style="margin:0"><span style="font-size:12px;color:rgb(255,255,255);font-family:Verdana,Geneva,sans-serif">SARAH CHOI</span></p>
<p style="margin:0"><br></p>
<p style="margin:0"><span style="font-size:12px;color:rgb(255,255,255);font-family:Verdana,Geneva,sans-serif;font-weight:bold">Creating Community: An Interview with Vanessa Au and Ellison Shieh of the Seattle Asian American Film Festival</span></p>
<p style="margin:0"><span style="font-size:12px;color:rgb(255,255,255);font-family:Verdana,Geneva,sans-serif">LEILANI NISHIME</span></p>
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<p style="margin:0"><span style="font-size:12px;color:rgb(255,255,255);font-weight:bold;font-family:Verdana,Geneva,sans-serif">FUTURE ISSUES</span></p>
<p style="margin:0"><br></p>
<p style="margin:0"><span style="font-size:12px;color:rgb(255,255,255);font-family:Verdana,Geneva,sans-serif;font-weight:bold">Media Identitopias: The Long History of Pleasure and Injury in (Social) Media</span></p>
<p style="margin:0"><span style="font-size:12px;color:rgb(255,255,255);font-family:Verdana,Geneva,sans-serif">Guest Editors Rebecca Wanzo and Reem Hilu</span></p>
<p style="margin:0"><br></p>
<p style="margin:0"><span style="font-size:12px;color:rgb(255,255,255);font-family:Verdana,Geneva,sans-serif;font-weight:bold">Curating Feminist Film Archives</span></p>
<p style="margin:0"><span style="font-size:12px;color:rgb(255,255,255);font-family:Verdana,Geneva,sans-serif">Guest Editors Maggie Hennefeld and Laura Horak</span></p>
<p style="margin:0"><br></p>
<p style="margin:0"><span style="font-size:12px;color:rgb(255,255,255);font-family:Verdana,Geneva,sans-serif;font-weight:bold">Latinxs and Digital Media</span></p>
<p style="margin:0"><span style="font-size:12px;color:rgb(255,255,255);font-family:Verdana,Geneva,sans-serif">Guest Editors Frances Negrón-Muntaner and Orianna Calderón-Sandova</span></p>
<p style="margin:0"><br></p>
<p style="margin:0"><a href="https://urldefense.com/v3/__https://r20.rs6.net/tn.jsp?f=001oPtuZeb0qX5voutRYJJDmBoleGPn40igY1XQ5x2a-cAsAbmRCODn68439d70Yiymw1NkQC9QX6wgTul5KkczgmJZDEko6-k0vgh6O-Bqe70W1JWUqQcDK8f5qy6kskaGywjDFRv2DRq3P4tlt5WikDYMy7SNpNdRn3vF8OmptUE=&c=P76B4ieAtWWAf1T-_kd7jUt47SaRFaVSFnJE-GsOwVg-_jWNZ8qRhg==&ch=FPaumCBr7uU9vTWUnWDwdUug7FOPEj7U5yOs9EDp6vXaHFzggJc-sg==__;!!K-Hz7m0Vt54!imNGeleavBbtuZVHF06GPkpnjzYzd4TF4DjFIaqbhGsUx-Uz4vWIrIbFqZWjjSc23k6vp8bns2QGHJo8F-5HNOk$" style="font-size:12px;font-family:Verdana,Geneva,sans-serif;font-weight:bold;color:#0000ff;text-decoration:underline;font-style:normal" target="_blank">CALL FOR PAPERS</a></p>
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<p style="margin:0"><a href="https://urldefense.com/v3/__https://r20.rs6.net/tn.jsp?f=001oPtuZeb0qX5voutRYJJDmBoleGPn40igY1XQ5x2a-cAsAbmRCODn6wiuLUvG09mI1MjIHSfVjcCBv47E4sPACi-YMF0W1mxG8kB0SfTIsrXtxtCE-XdI6CNIrr1uo1WGfmuR5g9c40d0H7eW0G-4X5gcwXKpSiJElqZpTPgPBCLL_c64O9e-ibgrRCEkdL9Z4GwBPTsTYBwks4SZipItPAJ9bViUWV3yeZHMctAxFYo=&c=P76B4ieAtWWAf1T-_kd7jUt47SaRFaVSFnJE-GsOwVg-_jWNZ8qRhg==&ch=FPaumCBr7uU9vTWUnWDwdUug7FOPEj7U5yOs9EDp6vXaHFzggJc-sg==__;!!K-Hz7m0Vt54!imNGeleavBbtuZVHF06GPkpnjzYzd4TF4DjFIaqbhGsUx-Uz4vWIrIbFqZWjjSc23k6vp8bns2QGHJo866J_8PA$" style="font-size:12px;color:rgb(255,255,255);font-weight:bold;font-family:Verdana,Geneva,sans-serif;text-decoration:underline;font-style:normal" target="_blank">Intimacies of Scale</a></p>
<p style="margin:0"><span style="font-size:12px;color:rgb(255,255,255);font-family:Verdana,Geneva,sans-serif">Guest editors Laliv Melamed, J.D. Schnepf, and Tess Takahashi</span></p>
<p style="margin:0"><br></p>
<p style="margin:0"><a href="https://urldefense.com/v3/__https://r20.rs6.net/tn.jsp?f=001oPtuZeb0qX5voutRYJJDmBoleGPn40igY1XQ5x2a-cAsAbmRCODn65-MFXu3IoRTQI4G4cDoF-FNS_HIVSBjYxuw6a8uuALkFT7EjM99ObQtnO0env9n5wrgXU9IoYjaJ8L0GHOVc6-hIeG0A2jLq6T2RIobY3X4RCkxZWZvdpBd-F4d1YhVr80Me2mO9_qPsPNuEQ8aD1Igdnu5QOdmQMUhW4dvTMu6f04uvIUtii3Tq9G6mqRO_A==&c=P76B4ieAtWWAf1T-_kd7jUt47SaRFaVSFnJE-GsOwVg-_jWNZ8qRhg==&ch=FPaumCBr7uU9vTWUnWDwdUug7FOPEj7U5yOs9EDp6vXaHFzggJc-sg==__;!!K-Hz7m0Vt54!imNGeleavBbtuZVHF06GPkpnjzYzd4TF4DjFIaqbhGsUx-Uz4vWIrIbFqZWjjSc23k6vp8bns2QGHJo8wWNG9hA$" style="font-size:12px;color:rgb(255,255,255);font-family:Verdana,Geneva,sans-serif;font-weight:bold;text-decoration:underline;font-style:normal" target="_blank">Gender, Media, and Developmentalism</a></p>
<p style="margin:0"><span style="font-size:12px;color:rgb(255,255,255);font-family:Verdana,Geneva,sans-serif">Guest editors Dalila Missero and Masha Salazkina</span></p>
<p style="margin:0"><br></p>
<p style="margin:0"><a href="https://urldefense.com/v3/__https://r20.rs6.net/tn.jsp?f=001oPtuZeb0qX5voutRYJJDmBoleGPn40igY1XQ5x2a-cAsAbmRCODn62zkn6PYdQ2k5zKO3ZQf0igdHTcI-fpVDyh7ZYzTY8Thhv7OPZrkuCmKDjcyzsGOQUAPCK1SqWf92UvpDioCQ_drcEUZaBy9CqZn_SKb022p828ghzrYdpEqrFuG68cg8A==&c=P76B4ieAtWWAf1T-_kd7jUt47SaRFaVSFnJE-GsOwVg-_jWNZ8qRhg==&ch=FPaumCBr7uU9vTWUnWDwdUug7FOPEj7U5yOs9EDp6vXaHFzggJc-sg==__;!!K-Hz7m0Vt54!imNGeleavBbtuZVHF06GPkpnjzYzd4TF4DjFIaqbhGsUx-Uz4vWIrIbFqZWjjSc23k6vp8bns2QGHJo8Rx77J5E$" style="font-size:12px;font-family:Verdana,Geneva,sans-serif;font-weight:bold;color:#0000ff;text-decoration:underline;font-style:normal" target="_blank">WRITING AWARDS</a></p>
<p style="margin:0"><br></p>
<p style="margin:0"><a href="https://urldefense.com/v3/__https://r20.rs6.net/tn.jsp?f=001oPtuZeb0qX5voutRYJJDmBoleGPn40igY1XQ5x2a-cAsAbmRCODn62zkn6PYdQ2k5zKO3ZQf0igdHTcI-fpVDyh7ZYzTY8Thhv7OPZrkuCmKDjcyzsGOQUAPCK1SqWf92UvpDioCQ_drcEUZaBy9CqZn_SKb022p828ghzrYdpEqrFuG68cg8A==&c=P76B4ieAtWWAf1T-_kd7jUt47SaRFaVSFnJE-GsOwVg-_jWNZ8qRhg==&ch=FPaumCBr7uU9vTWUnWDwdUug7FOPEj7U5yOs9EDp6vXaHFzggJc-sg==__;!!K-Hz7m0Vt54!imNGeleavBbtuZVHF06GPkpnjzYzd4TF4DjFIaqbhGsUx-Uz4vWIrIbFqZWjjSc23k6vp8bns2QGHJo8Rx77J5E$" style="font-size:12px;color:rgb(255,255,255);font-family:Verdana,Geneva,sans-serif;font-weight:bold;text-decoration:underline;font-style:normal" target="_blank">SCMS Gender and Feminisms Caucus Graduate Student Writing Prize</a></p>
<p style="margin:0"><span style="font-size:12px;color:rgb(255,255,255);font-family:Verdana,Geneva,sans-serif">Submissions due </span></p>
<p style="margin:0"><span style="font-size:12px;color:rgb(255,255,255);font-family:Verdana,Geneva,sans-serif">November 1, 2023 </span></p>
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<span style="font-size:14px;color:rgb(255,255,255);font-weight:bold">Remember</span><span style="font-size:14px;color:rgb(255,255,255)">: every issue of FMH is now available via Print on Demand. Details are </span><a href="https://urldefense.com/v3/__https://r20.rs6.net/tn.jsp?f=001oPtuZeb0qX5voutRYJJDmBoleGPn40igY1XQ5x2a-cAsAbmRCODn6x1KYm-vuFfYvHi94K7wDC6LRafCziv2yjil5VlqSfGHxYeSepRe3cRuENyDu-8CJvU-1HiZ5HmH2xyupNEoRouR8E_hkCsOQoK-XV5EXEhSGxMlRG4_GWEs-IP9BfyfenQRFf3PvnK3g0VW9RAlj8g=&c=P76B4ieAtWWAf1T-_kd7jUt47SaRFaVSFnJE-GsOwVg-_jWNZ8qRhg==&ch=FPaumCBr7uU9vTWUnWDwdUug7FOPEj7U5yOs9EDp6vXaHFzggJc-sg==__;!!K-Hz7m0Vt54!imNGeleavBbtuZVHF06GPkpnjzYzd4TF4DjFIaqbhGsUx-Uz4vWIrIbFqZWjjSc23k6vp8bns2QGHJo8W90n70E$" style="font-size:14px;color:rgb(0,0,255);font-weight:normal;text-decoration:underline;font-style:normal" target="_blank">here</a><span style="font-size:14px;color:rgb(255,255,255)">.</span>
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<p style="margin:0"><span style="font-size:16px;color:rgb(77,77,77);font-family:Calibri,Helvetica,Arial,sans-serif">Dear colleagues,</span></p>
<p style="margin:0"><br></p>
<p style="margin:0"><span style="font-size:16px;color:rgb(77,77,77)">We're pleased to announce the Fall 2023 </span><span style="font-size:16px;color:rgb(77,77,77);font-family:Calibri,Helvetica,Arial,sans-serif">issue of </span><a href="https://urldefense.com/v3/__https://r20.rs6.net/tn.jsp?f=001oPtuZeb0qX5voutRYJJDmBoleGPn40igY1XQ5x2a-cAsAbmRCODn6wzh-KgohUVFdPFZi4eoMNO0tYG_J3hTlgbUJvPix_NIdAqMYvL2Xa60lzj4dS6LpKYRkmHlt61V7-VvXS_7aY0uwqUcq8V3dw==&c=P76B4ieAtWWAf1T-_kd7jUt47SaRFaVSFnJE-GsOwVg-_jWNZ8qRhg==&ch=FPaumCBr7uU9vTWUnWDwdUug7FOPEj7U5yOs9EDp6vXaHFzggJc-sg==__;!!K-Hz7m0Vt54!imNGeleavBbtuZVHF06GPkpnjzYzd4TF4DjFIaqbhGsUx-Uz4vWIrIbFqZWjjSc23k6vp8bns2QGHJo8OotBeYk$" style="font-size:16px;color:rgb(6,47,250);font-family:Calibri,Helvetica,Arial,sans-serif;font-style:italic;font-weight:normal;text-decoration:underline" target="_blank">Feminist Media Histories</a><span style="font-size:16px;color:rgb(77,77,77)">.</span></p>
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<p style="margin:0"><span style="font-size:16px;color:rgb(77,77,77);font-family:Calibri,Helvetica,Arial,sans-serif">Please note we have two active </span><a href="https://urldefense.com/v3/__https://r20.rs6.net/tn.jsp?f=001oPtuZeb0qX5voutRYJJDmBoleGPn40igY1XQ5x2a-cAsAbmRCODn68439d70Yiymw1NkQC9QX6wgTul5KkczgmJZDEko6-k0vgh6O-Bqe70W1JWUqQcDK8f5qy6kskaGywjDFRv2DRq3P4tlt5WikDYMy7SNpNdRn3vF8OmptUE=&c=P76B4ieAtWWAf1T-_kd7jUt47SaRFaVSFnJE-GsOwVg-_jWNZ8qRhg==&ch=FPaumCBr7uU9vTWUnWDwdUug7FOPEj7U5yOs9EDp6vXaHFzggJc-sg==__;!!K-Hz7m0Vt54!imNGeleavBbtuZVHF06GPkpnjzYzd4TF4DjFIaqbhGsUx-Uz4vWIrIbFqZWjjSc23k6vp8bns2QGHJo8F-5HNOk$" style="font-size:16px;color:rgb(6,47,250);font-family:Calibri,Helvetica,Arial,sans-serif;font-weight:normal;text-decoration:underline;font-style:normal" target="_blank">CFPs</a><span style="font-size:16px;color:rgb(77,77,77);font-family:Calibri,Helvetica,Arial,sans-serif">; see below for details. We are also accepting submissions for the </span><a href="https://urldefense.com/v3/__https://r20.rs6.net/tn.jsp?f=001oPtuZeb0qX5voutRYJJDmBoleGPn40igY1XQ5x2a-cAsAbmRCODn62zkn6PYdQ2k5zKO3ZQf0igdHTcI-fpVDyh7ZYzTY8Thhv7OPZrkuCmKDjcyzsGOQUAPCK1SqWf92UvpDioCQ_drcEUZaBy9CqZn_SKb022p828ghzrYdpEqrFuG68cg8A==&c=P76B4ieAtWWAf1T-_kd7jUt47SaRFaVSFnJE-GsOwVg-_jWNZ8qRhg==&ch=FPaumCBr7uU9vTWUnWDwdUug7FOPEj7U5yOs9EDp6vXaHFzggJc-sg==__;!!K-Hz7m0Vt54!imNGeleavBbtuZVHF06GPkpnjzYzd4TF4DjFIaqbhGsUx-Uz4vWIrIbFqZWjjSc23k6vp8bns2QGHJo8Rx77J5E$" style="font-size:16px;color:rgb(6,47,250);font-family:Calibri,Helvetica,Arial,sans-serif;font-weight:normal;text-decoration:underline;font-style:normal" target="_blank">SCMS Gender and Feminisms Caucus Graduate Student Writing Prize</a><span style="font-size:16px;color:rgb(77,77,77);font-family:Calibri,Helvetica,Arial,sans-serif">. The deadline for this competition is November 1, 2023. </span></p>
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<p style="margin:0"><span style="font-size:16px;color:rgb(209,107,4);font-weight:bold">Introduction: Feeling Videographic Criticism</span></p>
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<p style="margin:0"><span style="font-size:16px;color:rgb(153,153,153)"></span><span style="font-size:16px;color:rgb(77,77,77);font-family:Calibri,Helvetica,Arial,sans-serif">This issue of </span><span style="font-size:16px;color:rgb(77,77,77);font-family:Calibri,Helvetica,Arial,sans-serif;font-style:italic">Feminist Media Histories</span><span style="font-size:16px;color:rgb(77,77,77);font-family:Calibri,Helvetica,Arial,sans-serif"> is the result of an experiment. On one hand, it is the first open topic issue in the journal’s history, an experiment undertaken to see what voices, perspectives and projects might emerge without</span></p>
<p style="margin:0"><span style="font-size:16px;color:rgb(77,77,77);font-family:Calibri,Helvetica,Arial,sans-serif">a guiding theme. The result is brilliantly robust, including two interviews that focus on local and regional media facilitators. In one, Sarah Choi talks with Sabrina Craig, the director of community engagement for the South Side Home Movie Project in Chicago, as well as Asian American anthropologist Sasha Su-Ling Welland, about the imperative of women’s cross-generational storytelling as a counterarchival feminist practice. In the second, Leilani Nishime converses with Vanessa Au and Ellison Shieh, directors of the Asian American Film Festival in Seattle, about the “inherently feminist” and queer nature of their annual event. There are also three research articles that, respectively, assert the centrality of the grassroots feminist media initiative International Videoletters to guerilla television in the 1970s (Lexington Davis), speculate on the unfinished business of Zora Neale Hurston’s contract with Paramount in the 1940s (Kallan Benjamin), and interrogate the</span></p>
<p style="margin:0"><span style="font-size:16px;color:rgb(77,77,77);font-family:Calibri,Helvetica,Arial,sans-serif">fever for Hula performers in the US as a distinct mode of colonial consumption in the 1910s and 1920s (Briand Gentry). These five entries,</span></p>
<p style="margin:0"><span style="font-size:16px;color:rgb(77,77,77);font-family:Calibri,Helvetica,Arial,sans-serif">which include Davis’ and Benjamin’s award-winning essays (2022 SCMS Gender and Feminisms Caucus Graduate Student Writing Competition), would make for a compelling issue. But there is another experiment at work in these pages, conducted to explore the potential of videographic criticism for feminist media historiographies and to announce the inclusion of audiovisual essays in the pages of this journal. Because this mode of critical expression is relatively new, and because efforts to coordinate feminist, queer, decolonial and antiracist videographic work has been sporadic at best, it</span></p>
<p style="margin:0"><span style="font-size:16px;color:rgb(77,77,77);font-family:Calibri,Helvetica,Arial,sans-serif">makes sense to offer an overview of the concepts and materials at stake as a means of introducing this issue.</span></p>
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<p style="margin:0"><span style="font-size:16px;color:rgb(77,77,77);font-family:Calibri,Helvetica,Arial,sans-serif">To begin, then, what is videographic criticism? At the most basic level, the phrase refers to criticism that is written (“graph”) with video. It more broadly refers to a burgeoning area of research, inquiry and experimentation that</span></p>
<p style="margin:0"><span style="font-size:16px;color:rgb(77,77,77);font-family:Calibri,Helvetica,Arial,sans-serif">repurposes sound and moving images to critically reflect on media comprised of sound and moving images. Beyond that I’m not willing to say, insofar as I agree with Drew Morton that defining videographic research too neatly might stifle the field, prematurely restricting its potentiality. For this reason, </span><span style="font-size:16px;color:rgb(77,77,77);font-family:Calibri,Helvetica,Arial,sans-serif;font-style:italic">Feminist Media Histories</span><span style="font-size:16px;color:rgb(77,77,77);font-family:Calibri,Helvetica,Arial,sans-serif"> will not prescribe the rhetorical form, display structure or even the length of audiovisual essays carried in these pages; we likewise welcome diversity in tone and style. We do, however, expect this work to produce new knowledge-effects that speak to this journal’s mission, and which might occasionally take the form of a videographic “study,” “exercise,” or “experiment,” as with several of the works that appear in this inaugural dossier. But our intention is to predominantly publish videographic </span><span style="font-size:16px;color:rgb(77,77,77);font-family:Calibri,Helvetica,Arial,sans-serif;font-style:italic">essays</span><span style="font-size:16px;color:rgb(77,77,77);font-family:Calibri,Helvetica,Arial,sans-serif">,</span></p>
<p style="margin:0"><span style="font-size:16px;color:rgb(77,77,77);font-family:Calibri,Helvetica,Arial,sans-serif">also known as audiovisual essays, or video essays. It is by now common to note that the term, “essay,” which literally means “to try” or “to attempt,” usefully conveys the explorative, experimental nature of this multimedia mode of expression. For </span><span style="font-size:16px;color:rgb(77,77,77);font-family:Calibri,Helvetica,Arial,sans-serif;font-style:italic">Feminist Media Histories</span><span style="font-size:16px;color:rgb(77,77,77);font-family:Calibri,Helvetica,Arial,sans-serif">, that term also foregrounds the equal weight this journal grants to video essays and to written</span></p>
<p style="margin:0"><span style="font-size:16px;color:rgb(77,77,77);font-family:Calibri,Helvetica,Arial,sans-serif">essays, a consistency that applies to the double-blind peer review process that any essay published here will undergo.</span></p>
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<p style="margin:0"><span style="font-size:16px;color:rgb(77,77,77);font-family:Calibri,Helvetica,Arial,sans-serif">[...]</span></p>
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<p style="text-align:left;margin:0" align="left"><span style="font-size:14px;font-weight:normal;font-style:italic">Feminist Media Histories </span><span style="font-size:14px;font-weight:normal">publishes original research, oral histories, primary documents, conference reports, and archival news on radio, television, film, video, digital technologies, and other media across a range of historical periods and global contexts. Inter-medial and trans-national in its approach, </span><span style="font-size:14px;font-weight:normal;font-style:italic">Feminist Media Histories </span><span style="font-size:14px;font-weight:normal">examines the historical role gender and sexuality have played in varied media technologies, and documents the engagement of women and LGBTQ communities with these media as audiences, users and consumers, creators and executives, critics, writers and theorists, technicians and laborers, educators, activists, and librarians. </span></p>
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<p style="text-align:left;margin:0" align="left"><span style="font-size:14px;font-style:italic;font-weight:normal">Feminist Media Histories</span><span style="font-size:14px;font-weight:normal"> is published quarterly by the University of California Press. </span></p>
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</div></div><br clear="all"><div><br></div><span class="gmail_signature_prefix">-- </span><br><div dir="ltr" class="gmail_signature" data-smartmail="gmail_signature"><div dir="ltr">Yumo Yan (she/her/hers)<div>PhD Candidate</div><div>Department of Cinema and Media Studies</div><div>University of Washington, Seattle</div><div>Managing Editor, <i><a href="https://online.ucpress.edu/fmh" target="_blank">Feminist Media Histories: An International Journal</a></i></div></div></div></div></div>