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UW CMS friends — a heads up about an online event this Friday; zoom link below. Everyone is welcome!
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<span style="font-size:11.0pt;color:#212121">Dear</span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span class="outlook-search-highlight"><span style="color:#212121">Silent</span></span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span class="outlook-search-highlight"><span style="color:#212121">Cinema</span></span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span class="outlook-search-highlight"><span style="color:#212121">SIG</span></span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span style="font-size:11.0pt;color:#212121">members, </span><span style="color:#212121"><o:p></o:p></span></p>
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<span style="font-size:11.0pt;color:#212121">We’re delighted to announce our first online event of the 2025-2026 academic year! </span><span style="color:#212121"><o:p></o:p></span></p>
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<b><span style="font-size:11.0pt;color:#212121">Please join us on Zoom on Friday, November 21, 2025, at 12.30 pm Central Time, for a celebration of</span></b><span class="apple-converted-space"><b><span style="color:#212121"> </span></b></span><span class="outlook-search-highlight"><b><span style="font-size:11.0pt;color:#212121">Tom</span></b></span><span class="apple-converted-space"><b><span style="color:#212121"> </span></b></span><span class="outlook-search-highlight"><b><span style="font-size:11.0pt;color:#212121">Gunning</span></b></span><b><span style="font-size:11.0pt;color:#212121">’s
latest book, <i>The Attractions of the Moving Image: Essays on History, Theory, and the Avant-Garde</i> (University of Chicago Press, 2025). </span></b><span style="color:#212121"><o:p></o:p></span></p>
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<span style="font-size:11.0pt;color:#212121">The event will feature</span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span class="outlook-search-highlight"><b><span style="font-size:11.0pt;color:#212121">Tom</span></b></span><span class="apple-converted-space"><b><span style="color:#212121"> </span></b></span><span class="outlook-search-highlight"><b><span style="font-size:11.0pt;color:#212121">Gunning</span></b></span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span style="font-size:11.0pt;color:#212121">in
conversation with the book’s editor</span><span class="apple-converted-space"><span style="color:#212121"> </span></span><b><span style="font-size:11.0pt;color:#212121">Daniel Morgan</span></b><span style="font-size:11.0pt;color:#212121">. Together they will
revisit</span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span class="outlook-search-highlight"><span style="font-size:11.0pt;color:#212121">Gunning</span></span><span style="font-size:11.0pt;color:#212121">’s contributions
to</span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span class="outlook-search-highlight"><span style="color:#212121">silent</span></span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span class="outlook-search-highlight"><span style="color:#212121">cinema</span></span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span style="font-size:11.0pt;color:#212121">history,
as well as discuss his enduring, multifaceted legacy for film and media studies more broadly. They will also reflect upon their collaboration in putting together the wonderful new volume, <i>The Attractions of the Moving Image</i>. </span><span style="color:#212121"><o:p></o:p></span></p>
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<b><span style="font-size:11.0pt;color:#212121">The event will include a Q&A with</span></b><span class="apple-converted-space"><b><span style="color:#212121"> </span></b></span><span class="outlook-search-highlight"><b><span style="font-size:11.0pt;color:#212121">Tom</span></b></span><span class="apple-converted-space"><b><span style="color:#212121"> </span></b></span><span class="outlook-search-highlight"><b><span style="font-size:11.0pt;color:#212121">Gunning</span></b></span><span class="apple-converted-space"><b><span style="color:#212121"> </span></b></span><b><span style="font-size:11.0pt;color:#212121">and
Daniel Morgan.</span></b><span style="font-size:11.0pt;color:#212121"> If you’d like, you may send us questions in advance using the form below. You will also have the chance to ask your questions during the event. Thank you!</span><span style="color:#212121"><o:p></o:p></span></p>
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<span style="font-size:11.0pt;color:#212121"><a href="https://urldefense.com/v3/__https:/url.au.m.mimecastprotect.com/s/rn3CC1WLPxcqQwpm9cLfYtVW9oG?domain=docs.google.com__;!!KwNVnqRv!AMxHgRwXHnhNFwVSsfrSFy_ecQVWSx2RdnbVLZUCBTVm9M2fzBAYHIXETFZXIkN5W_J8fhLttj3WnUoj4r4tK-k7Zoo$" originalsrc="https://urldefense.com/v3/__https:/url.au.m.mimecastprotect.com/s/rn3CC1WLPxcqQwpm9cLfYtVW9oG?domain=docs.google.com__;!!KwNVnqRv!AMxHgRwXHnhNFwVSsfrSFy_ecQVWSx2RdnbVLZUCBTVm9M2fzBAYHIXETFZXIkN5W_J8fhLttj3WnUoj4r4tK-k7Zoo$" title="https://urldefense.com/v3/__https:/url.au.m.mimecastprotect.com/s/rn3CC1WLPxcqQwpm9cLfYtVW9oG?domain=docs.google.com__;!!KwNVnqRv!AMxHgRwXHnhNFwVSsfrSFy_ecQVWSx2RdnbVLZUCBTVm9M2fzBAYHIXETFZXIkN5W_J8fhLttj3WnUoj4r4tK-k7Zoo$"><span style="color:#0078D7">https://docs.google.com/forms/d/e/1FAIpQLSd0Ded17RMkRBwFCN8arAaqvtisFUXLjZrqxiZvi905_ThpJA/viewform</span></a></span><span style="color:#212121"><o:p></o:p></span></p>
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<b><span style="font-size:11.0pt;color:#212121">Zoom Link:</span></b><span class="apple-converted-space"><span style="color:#212121"> </span></span><span style="font-size:11.0pt;color:#212121">see below.</span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span style="color:#212121"><o:p></o:p></span></p>
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<span style="font-size:11.0pt;color:#212121">Here's more information about the book and the book’s author and editor:</span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span style="color:#212121"><o:p></o:p></span></p>
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<span style="font-size:11.0pt;color:#212121">“An essential collection of new and selected essays by influential</span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span class="outlook-search-highlight"><span style="color:#212121">cinema</span></span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span style="font-size:11.0pt;color:#212121">and
media studies scholar</span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span class="outlook-search-highlight"><span style="font-size:11.0pt;color:#212121">Tom</span></span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span class="outlook-search-highlight"><span style="font-size:11.0pt;color:#212121">Gunning</span></span><span style="font-size:11.0pt;color:#212121">.</span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span class="outlook-search-highlight"><span style="font-size:11.0pt;color:#212121">Tom</span></span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span class="outlook-search-highlight"><span style="font-size:11.0pt;color:#212121">Gunning</span></span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span style="font-size:11.0pt;color:#212121">is
the author of multiple books and nearly two hundred essays that have defined the field of</span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span class="outlook-search-highlight"><span style="color:#212121">cinema</span></span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span style="font-size:11.0pt;color:#212121">and
media studies. His works have transformed our understanding of early</span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span class="outlook-search-highlight"><span style="color:#212121">cinema</span></span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span style="font-size:11.0pt;color:#212121">and
the American avant-garde and reset the terms of many central debates in film and media history and theory. His 1986 essay “The</span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span class="outlook-search-highlight"><span style="color:#212121">Cinema</span></span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span style="font-size:11.0pt;color:#212121">of
Attractions” is among the most cited essays on film ever published.</span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span class="outlook-search-highlight"><span style="font-size:11.0pt;color:#212121">Gunning</span></span><span style="font-size:11.0pt;color:#212121">’s
writings articulate a distinctive and powerful model for thinking about</span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span class="outlook-search-highlight"><span style="color:#212121">cinema</span></span><span style="font-size:11.0pt;color:#212121">’s
history and likely future, addressing the full range of moving-image media, from film to still photography to digital media. His discussions draw on stage melodrama and magic lantern shows, as well as criminology, world’s fairs, and Spiritualism, surveying
the medium as a cultural phenomenon informed by the industrial and information ages, psychiatry, urban experience, discourses on art and aesthetics, and more.</span><span style="color:#212121"><o:p></o:p></span></p>
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<span style="font-size:11.0pt;color:#212121">This collection brings together twenty-six essays that showcase the depth and range of</span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span class="outlook-search-highlight"><span style="font-size:11.0pt;color:#212121">Gunning</span></span><span style="font-size:11.0pt;color:#212121">’s
scholarship, including four that have never before been published. Together, they solidify</span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span class="outlook-search-highlight"><span style="font-size:11.0pt;color:#212121">Gunning</span></span><span style="font-size:11.0pt;color:#212121">’s
place as a scholar who has transformed the way generations of scholars, archivists, critics, and artists think about</span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span class="outlook-search-highlight"><span style="color:#212121">cinema</span></span><span style="font-size:11.0pt;color:#212121">.”</span><span style="color:#212121"><o:p></o:p></span></p>
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<span style="font-size:11.0pt;color:#212121"><a href="https://urldefense.com/v3/__https:/url.au.m.mimecastprotect.com/s/MGkgC2xMQzi8DokG9c1h5t5qNp0?domain=press.uchicago.edu__;!!KwNVnqRv!AMxHgRwXHnhNFwVSsfrSFy_ecQVWSx2RdnbVLZUCBTVm9M2fzBAYHIXETFZXIkN5W_J8fhLttj3WnUoj4r4tMlRZxZY$" originalsrc="https://urldefense.com/v3/__https:/url.au.m.mimecastprotect.com/s/MGkgC2xMQzi8DokG9c1h5t5qNp0?domain=press.uchicago.edu__;!!KwNVnqRv!AMxHgRwXHnhNFwVSsfrSFy_ecQVWSx2RdnbVLZUCBTVm9M2fzBAYHIXETFZXIkN5W_J8fhLttj3WnUoj4r4tMlRZxZY$" title="https://urldefense.com/v3/__https:/url.au.m.mimecastprotect.com/s/MGkgC2xMQzi8DokG9c1h5t5qNp0?domain=press.uchicago.edu__;!!KwNVnqRv!AMxHgRwXHnhNFwVSsfrSFy_ecQVWSx2RdnbVLZUCBTVm9M2fzBAYHIXETFZXIkN5W_J8fhLttj3WnUoj4r4tMlRZxZY$"><span style="color:#0078D7">https://press.uchicago.edu/ucp/books/book/chicago/A/bo238329918.html</span></a></span><span style="color:#212121"><o:p></o:p></span></p>
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<span class="outlook-search-highlight"><b><span style="font-size:11.0pt;color:#212121">Tom</span></b></span><span class="apple-converted-space"><b><span style="color:#212121"> </span></b></span><span class="outlook-search-highlight"><b><span style="font-size:11.0pt;color:#212121">Gunning</span></b></span><span style="font-size:11.0pt;color:#212121"> is
professor emeritus in the Department of</span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span class="outlook-search-highlight"><span style="color:#212121">Cinema</span></span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span style="font-size:11.0pt;color:#212121">and
Media Studies at the University of Chicago, where he taught for over two decades. He is the author of<i> D. W. Griffith and the Origins of American Narrative Film </i>and <i>The Films of Fritz Lang: Allegories of Vision and Modernity</i>, as well as numerous
articles. With André Gaudreault he originated the influential theory of the “</span><span class="outlook-search-highlight"><span style="color:#212121">Cinema</span></span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span style="font-size:11.0pt;color:#212121">of
Attractions.” </span><span style="color:#212121"><o:p></o:p></span></p>
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<b><span style="font-size:11.0pt;color:#212121">Daniel Morgan</span></b><span style="font-size:11.0pt;color:#212121"> is professor of</span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span class="outlook-search-highlight"><span style="color:#212121">cinema</span></span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span style="font-size:11.0pt;color:#212121">and
media studies at the University of Chicago. He is author of <i>Late Godard and the Possibilities of</i></span><span class="apple-converted-space"><i><span style="color:#212121"> </span></i></span><span class="outlook-search-highlight"><i><span style="color:#212121">Cinema</span></i></span><span style="font-size:11.0pt;color:#212121"> and <i>The
Lure of the Image: Epistemic Fantasies of the Moving Camera</i>.</span><span style="color:#212121"><o:p></o:p></span></p>
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<span style="font-size:11.0pt;color:#212121">Please let us know if you have any questions. We hope to see you soon!</span><span style="color:#212121"><o:p></o:p></span></p>
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<span style="font-size:11.0pt;color:#212121">Our very best,</span><span style="color:#212121"><o:p></o:p></span></p>
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<span style="font-size:11.0pt;color:#212121">Carolyn Condon Jacobs, Aurore Spiers, and Eileen DiPofi</span><span style="color:#212121"><o:p></o:p></span></p>
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<span style="font-size:11.0pt;color:#212121">Eileen DiPofi is inviting you to a scheduled Zoom meeting.<br>
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Topic: Attractions of the Moving Image</span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span class="outlook-search-highlight"><span style="color:#212121">Silent</span></span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span class="outlook-search-highlight"><span style="color:#212121">Cinema</span></span><span class="apple-converted-space"><span style="color:#212121"> </span></span><span class="outlook-search-highlight"><span style="color:#212121">SIG</span></span><span style="font-size:11.0pt;color:#212121"><br>
Time: Nov 21, 2025 12:30 PM Central Time (US and Canada)<br>
Join Zoom Meeting<br>
<a href="https://urldefense.com/v3/__https:/url.au.m.mimecastprotect.com/s/SpnEC3QNPBi2rYmMEi2i3tQsP7l?domain=usc.zoom.us__;!!KwNVnqRv!AMxHgRwXHnhNFwVSsfrSFy_ecQVWSx2RdnbVLZUCBTVm9M2fzBAYHIXETFZXIkN5W_J8fhLttj3WnUoj4r4te0uUEEM$" originalsrc="https://urldefense.com/v3/__https:/url.au.m.mimecastprotect.com/s/SpnEC3QNPBi2rYmMEi2i3tQsP7l?domain=usc.zoom.us__;!!KwNVnqRv!AMxHgRwXHnhNFwVSsfrSFy_ecQVWSx2RdnbVLZUCBTVm9M2fzBAYHIXETFZXIkN5W_J8fhLttj3WnUoj4r4te0uUEEM$" title="https://urldefense.com/v3/__https:/url.au.m.mimecastprotect.com/s/SpnEC3QNPBi2rYmMEi2i3tQsP7l?domain=usc.zoom.us__;!!KwNVnqRv!AMxHgRwXHnhNFwVSsfrSFy_ecQVWSx2RdnbVLZUCBTVm9M2fzBAYHIXETFZXIkN5W_J8fhLttj3WnUoj4r4te0uUEEM$"><span style="color:#0078D7">https://usc.zoom.us/j/99387656597?pwd=RlaeW4mSKwI9hrLxJdcZF8hfoW5baL.1</span></a><br>
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Meeting ID: 993 8765 6597<br>
Passcode: 285517</span><span style="color:#212121"><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:12.0pt;mso-ligatures:none">Aurore Spiers (she/her)<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:12.0pt;mso-ligatures:none">Assistant Professor, Film & Media Studies<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:12.0pt;mso-ligatures:none">College of Performance, Visualization & Fine Arts<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:12.0pt;mso-ligatures:none">Texas A&M University<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt;mso-ligatures:none"><a href="https://pvfa.tamu.edu/staff/aurore-spiers/" originalsrc="https://pvfa.tamu.edu/staff/aurore-spiers/"><span style="color:blue">https://pvfa.tamu.edu/staff/aurore-spiers/</span></a><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:12.0pt;mso-ligatures:none">Core Faculty Member,
<a href="https://www.linkedin.com/company/tamuwgst/" originalsrc="https://www.linkedin.com/company/tamuwgst/">
<span style="color:blue">Women’s & Gender Studies</span></a> @ Texas A&M<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:12.0pt;mso-ligatures:none">Editorial Contributor + Country Coordinator (France),
<i><a href="https://wfpp.columbia.edu/" originalsrc="https://wfpp.columbia.edu/"><span style="color:blue">Women Film Pioneers Project</span></a></i> <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt;mso-ligatures:none">Book Review Editor (Post-1900),
<i><a href="https://www.tandfonline.com/journals/repv20" originalsrc="https://www.tandfonline.com/journals/repv20"><span style="color:blue">Early Popular Visual Culture</span></a>
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<p class="MsoNormal"><span style="font-size:12.0pt;mso-ligatures:none">Co-chair, <a href="https://www.cmstudies.org/general/custom.asp?page=groups_silent" originalsrc="https://www.cmstudies.org/general/custom.asp?page=groups_silent">
<span style="color:blue">Silent Cinema SIG</span></a>, Society for Cinema and Media Studies
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<p class="MsoNormal"><span style="font-size:12.0pt;mso-ligatures:none">Co-chair, <a href="https://www.moderniststudies.org/members/sigs/" originalsrc="https://www.moderniststudies.org/members/sigs/">
<span style="color:blue">Film Studies SIG</span></a>, Modernist Studies Association<o:p></o:p></span></p>
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<p class="MsoNormal"><b><u><span style="font-size:12.0pt;color:red;mso-ligatures:none">COMING JANUARY 2026</span></u></b><span style="font-size:12.0pt;mso-ligatures:none"> from University of California Press:
<i>Archiving the Past: Women’s Film History in France, 1927–1978</i>, <a href="https://www.ucpress.edu/books/archiving-the-past/paper" originalsrc="https://www.ucpress.edu/books/archiving-the-past/paper">
<span style="color:blue">https://www.ucpress.edu/books/archiving-the-past/paper</span></a>
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