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<p style="margin: 0;"><a href="https://j9ms674ab.cc.rs6.net/tn.jsp?f=001Ze1Y0vIB63aFfbPkP0UVLvlkXRqPbTUE8P8M_oGNcygSqUrap1-PFEVjeQNvNfQ0WSAhOFbG2-SagAJtecSSU9wDeHG9MR-6hxq9pxWtc555-OvkMzHA-TbuHZmDcXG2U4YPjlM2WPw3fUaimtKEgIdYBe30ACEWbd5OdXunVstla8F4Wff33A==&c=Oux-YyXHbhunUDWKK3BzCa9zTlrCzx-Io_m9vWARdNx5Kr5nHApUUQ==&ch=FCDLAZOR32w7vytKgAfS9eiX9-7UxUAEguLgHWgj9mKYPOy9Q0eqDA==" originalsrc="https://j9ms674ab.cc.rs6.net/tn.jsp?f=001Ze1Y0vIB63aFfbPkP0UVLvlkXRqPbTUE8P8M_oGNcygSqUrap1-PFEVjeQNvNfQ0WSAhOFbG2-SagAJtecSSU9wDeHG9MR-6hxq9pxWtc555-OvkMzHA-TbuHZmDcXG2U4YPjlM2WPw3fUaimtKEgIdYBe30ACEWbd5OdXunVstla8F4Wff33A==&c=Oux-YyXHbhunUDWKK3BzCa9zTlrCzx-Io_m9vWARdNx5Kr5nHApUUQ==&ch=FCDLAZOR32w7vytKgAfS9eiX9-7UxUAEguLgHWgj9mKYPOy9Q0eqDA==" shash="emAwKQUvxRPaTJrYCAvSyxXTgzrhkm1o+3ZdwycU1l+5ducHVu7qdKvrsskugB/GsSgg3LqTRZlZ7Omm5AIIecPYPpVzk+jur29EFpRIfbHYAJ9Y7/9F0QhZlFuE1uNzhZwkWsxIegDObLi4l4xRPruTlt387DK432M0Uq/L1EY=" rel="noopener noreferrer" target="_blank" style="font-family: Verdana, Geneva, sans-serif; font-weight: bold; color: #0000FF; text-decoration: underline; font-style: normal;">CURRENT
ISSUE</a></p>
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<p style="margin: 0;"><span style="font-size: 12px; font-weight: bold; font-family: Verdana, Geneva, sans-serif;">Camille Billops and James V. Hatch: A Certain Defiance</span></p>
<p style="margin: 0;"><br>
</p>
<p style="margin: 0;"><span style="font-family: Verdana, Geneva, sans-serif;">Vol. 11 No. 1, WINTER 2025</span></p>
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<p style="margin: 0;"><span style="font-size: 12px; color: rgb(255, 255, 255); font-family: Verdana, Geneva, sans-serif; font-weight: bold;">FEATURED ARTICLES</span></p>
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<p style="margin: 0;"><span style="font-size: 12px; color: rgb(255, 255, 255); text-decoration: underline; font-family: Verdana, Geneva, sans-serif; font-weight: bold;">EDITORIAL</span></p>
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</p>
<p style="margin: 0;"><a href="https://j9ms674ab.cc.rs6.net/tn.jsp?f=001Ze1Y0vIB63aFfbPkP0UVLvlkXRqPbTUE8P8M_oGNcygSqUrap1-PFLBiNvfZBl-0hdQFJs79IZxACDHw0swbQM-hDBRKME0D_5PHyPMpE0iZmyRcHjsuhDTUnKhBD3MdImjnDGeqv-2plph0OUPa1J7Wf-LVcgDfBRUOYi3EqaMOhldhp4j5f8d8VTP3-5Do4wfg4u75dlz5jT1Ypt1M6nxNmcnrPcHfa2pnu7eHZGzzZryMlR2NZexK2ljDPZL2PmkZb51bJ5rhe7VY_PfB1w==&c=Oux-YyXHbhunUDWKK3BzCa9zTlrCzx-Io_m9vWARdNx5Kr5nHApUUQ==&ch=FCDLAZOR32w7vytKgAfS9eiX9-7UxUAEguLgHWgj9mKYPOy9Q0eqDA==" originalsrc="https://j9ms674ab.cc.rs6.net/tn.jsp?f=001Ze1Y0vIB63aFfbPkP0UVLvlkXRqPbTUE8P8M_oGNcygSqUrap1-PFLBiNvfZBl-0hdQFJs79IZxACDHw0swbQM-hDBRKME0D_5PHyPMpE0iZmyRcHjsuhDTUnKhBD3MdImjnDGeqv-2plph0OUPa1J7Wf-LVcgDfBRUOYi3EqaMOhldhp4j5f8d8VTP3-5Do4wfg4u75dlz5jT1Ypt1M6nxNmcnrPcHfa2pnu7eHZGzzZryMlR2NZexK2ljDPZL2PmkZb51bJ5rhe7VY_PfB1w==&c=Oux-YyXHbhunUDWKK3BzCa9zTlrCzx-Io_m9vWARdNx5Kr5nHApUUQ==&ch=FCDLAZOR32w7vytKgAfS9eiX9-7UxUAEguLgHWgj9mKYPOy9Q0eqDA==" shash="d3brIdBU84QXhILcgyNC4t0Q72CltXgiEyx+R2BiKoj/pX2XT+735P4ooO+Qvqx4znwcIsD7mfALUxA2XF+w1z2yiKrZfx14gguMA/sf/0+zmvgYNdjqXakeZZ3Ff4lePfYd8eOv32Q2RGTB7zhWu9rzy1YT0msxyP1Dm4UTy+E=" rel="noopener noreferrer" target="_blank" style="font-size: 12px; font-family: Verdana, Geneva, sans-serif; font-weight: bold; color: #0000FF; text-decoration: underline; font-style: normal;">A
Certain Defiance: The Filmic Art, Archives, and Activism of Camille Billops and James V. Hatch</a></p>
<p style="margin: 0;"><span style="font-size: 12px; color: rgb(255, 255, 255); font-family: Verdana, Geneva, sans-serif;">TERRI FRANCIS AND MIRIAM PETTY</span></p>
<p style="margin: 0;"><br>
</p>
<p style="margin: 0;"><span style="font-size: 12px; color: rgb(255, 255, 255); text-decoration: underline; font-weight: bold; font-family: Verdana, Geneva, sans-serif;">ARTICLES</span></p>
<p style="margin: 0;"><br>
</p>
<p style="margin: 0;"><span style="font-size: 12px; color: rgb(255, 255, 255); font-family: Verdana, Geneva, sans-serif; font-weight: bold;">Break Yourself at Home: The Queer Hospitality of Camille Billops and James V. Hatch</span></p>
<p style="margin: 0;"><span style="font-size: 12px; color: rgb(255, 255, 255); font-family: Verdana, Geneva, sans-serif;">RYAN NHU</span></p>
<p style="margin: 0;"><br>
</p>
<p style="margin: 0;"><span style="font-size: 12px; color: rgb(255, 255, 255); font-weight: bold; font-family: Verdana, Geneva, sans-serif;">Woman, Alone? Camille Billops, Self-Possession, and
</span><span style="font-size: 12px; color: rgb(255, 255, 255); font-weight: bold; font-family: Verdana, Geneva, sans-serif; font-style: italic;">Older Women and Love
</span><span style="font-size: 12px; color: rgb(255, 255, 255); font-weight: bold; font-family: Verdana, Geneva, sans-serif;">(1987)</span></p>
<p style="margin: 0;"><span style="font-size: 12px; color: rgb(255, 255, 255); font-family: Verdana, Geneva, sans-serif;">MICHELE PRETTYMAN</span></p>
<p style="margin: 0;"><br>
</p>
<p style="margin: 0;"><span style="font-size: 12px; color: rgb(255, 255, 255); font-weight: bold; font-family: Verdana, Geneva, sans-serif;">Framing
</span><span style="font-size: 12px; color: rgb(255, 255, 255); font-weight: bold; font-family: Verdana, Geneva, sans-serif; font-style: italic;">Finding Christa</span><span style="font-size: 12px; color: rgb(255, 255, 255); font-weight: bold; font-family: Verdana, Geneva, sans-serif;">:
Black Feminisms and Films</span></p>
<p style="margin: 0;"><span style="font-size: 12px; color: rgb(255, 255, 255); font-family: Verdana, Geneva, sans-serif;">RUTH FELDSTEIN</span></p>
<p style="margin: 0;"><br>
</p>
<p style="margin: 0;"><span style="font-size: 12px; color: rgb(255, 255, 255); font-weight: bold; font-family: Verdana, Geneva, sans-serif;">Black Memory in
</span><span style="font-size: 12px; color: rgb(255, 255, 255); font-weight: bold; font-family: Verdana, Geneva, sans-serif; font-style: italic;">Take Your Bags</span><span style="font-size: 12px; color: rgb(255, 255, 255); font-weight: bold; font-family: Verdana, Geneva, sans-serif;">:
Experimental Film and the Meaning of Material Objects</span></p>
<p style="margin: 0;"><span style="font-size: 12px; color: rgb(255, 255, 255); font-family: Verdana, Geneva, sans-serif;">MICHELE Y. WASHINGTON</span></p>
<p style="margin: 0;"><br>
</p>
<p style="margin: 0;"><span style="font-size: 12px; color: rgb(255, 255, 255); font-weight: bold; font-family: Verdana, Geneva, sans-serif;">As It Turns Out, What Was Being Staged Was: Racist Theatricality, Racial Reality, and
</span><span style="font-size: 12px; color: rgb(255, 255, 255); font-weight: bold; font-family: Verdana, Geneva, sans-serif; font-style: italic;">The KKK Boutique Ain't Just Rednecks</span></p>
<p style="margin: 0;"><span style="font-size: 12px; color: rgb(255, 255, 255); font-family: Verdana, Geneva, sans-serif;">JOSHUA CHAMBERS-LETSON</span></p>
<p style="margin: 0;"><br>
</p>
<p style="margin: 0;"><span style="font-size: 12px; color: rgb(255, 255, 255); font-weight: bold; font-family: Verdana, Geneva, sans-serif;">Futures Imperfect: Inscriptions of Self and Community in
</span><span style="font-size: 12px; color: rgb(255, 255, 255); font-weight: bold; font-family: Verdana, Geneva, sans-serif; font-style: italic;">A String of Pearls</span></p>
<p style="margin: 0;"><span style="font-size: 12px; color: rgb(255, 255, 255); font-family: Verdana, Geneva, sans-serif;">CARLA ITALIANO</span></p>
<p style="margin: 0;"><br>
</p>
<p style="margin: 0;"><span style="font-size: 12px; color: rgb(255, 255, 255); text-decoration: underline; font-weight: bold; font-family: Verdana, Geneva, sans-serif;">ROUNDTABLES</span><span style="font-size: 12px; color: rgb(255, 255, 255); font-weight: bold; font-family: Verdana, Geneva, sans-serif;">
/</span></p>
<p style="margin: 0;"><span style="font-size: 12px; color: rgb(255, 255, 255); text-decoration: underline; font-weight: bold; font-family: Verdana, Geneva, sans-serif;">COLLECTIVE AUTHORS</span></p>
<p style="margin: 0;"><br>
</p>
<p style="margin: 0;"><span style="font-size: 12px; color: rgb(255, 255, 255); font-weight: bold; font-family: Verdana, Geneva, sans-serif;">A String of Pearls: On the Process, Practice, and Legacy of Camille Billops and James Hatch</span></p>
<p style="margin: 0;"><span style="font-size: 12px; color: rgb(255, 255, 255); font-family: Verdana, Geneva, sans-serif;">JT TAKAGI AND ROSELLY TORRES</span></p>
<p style="margin: 0;"><br>
</p>
<p style="margin: 0;"><span style="font-size: 12px; color: rgb(255, 255, 255); font-weight: bold; font-family: Verdana, Geneva, sans-serif;">"A Gathering of Champions": A Conversation with the Billops-Hatch Advisory Board</span></p>
<p style="margin: 0;"><span style="font-size: 12px; color: rgb(255, 255, 255); font-family: Verdana, Geneva, sans-serif;">MIRIAM PETTY AND TOPE FADIRAN</span></p>
<p style="margin: 0;"><br>
</p>
<p style="margin: 0;"><span style="font-size: 12px; color: rgb(255, 255, 255); text-decoration: underline; font-weight: bold; font-family: Verdana, Geneva, sans-serif;">SCMS GENDER AND FEMINISMS CAUCUS AWARD WINNING ESSAY</span></p>
<p style="margin: 0;"><br>
</p>
<p style="margin: 0;"><span style="font-size: 12px; color: rgb(255, 255, 255); font-weight: bold; font-family: Verdana, Geneva, sans-serif;">“Funnier Than Moms Mabley": The Stand-Up Comedy of Hattie Noel</span></p>
<p style="margin: 0;"><span style="font-size: 12px; color: rgb(255, 255, 255); font-family: Verdana, Geneva, sans-serif;">SAMANTHA SILVER</span></p>
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<p style="margin: 0;"><span style="font-size: 12px; color: rgb(255, 255, 255); text-decoration: underline; font-family: Verdana, Geneva, sans-serif; font-weight: bold;">FUTURE ISSUES</span></p>
<p style="margin: 0;"><br>
</p>
<p style="margin: 0;"><span style="font-size: 12px; color: rgb(255, 255, 255); font-weight: bold; font-family: Verdana, Geneva, sans-serif;">Nontheatrical Medias</span></p>
<p style="margin: 0;"><span style="font-size: 12px; color: rgb(255, 255, 255); font-family: Verdana, Geneva, sans-serif;">Guest editors Tanya Goldman and Benjamin Schultz-Figueroa</span></p>
<p style="margin: 0;"><br>
</p>
<p style="margin: 0;"><span style="font-size: 12px; color: rgb(255, 255, 255); font-weight: bold; font-family: Verdana, Geneva, sans-serif;">The Lara Croft 30th Anniversary Special Issue</span></p>
<p style="margin: 0;"><span style="font-size: 12px; color: rgb(255, 255, 255); font-family: Verdana, Geneva, sans-serif;">Guest editors Amanda Phillips and Josef Nguyen</span></p>
<p style="margin: 0;"><br>
</p>
<p style="margin: 0;"><span style="font-size: 12px; color: rgb(255, 255, 255); font-weight: bold; font-family: Verdana, Geneva, sans-serif;">Making History: Notes on Methods</span></p>
<p style="margin: 0;"><span style="font-size: 12px; color: rgb(255, 255, 255); font-family: Verdana, Geneva, sans-serif;">Guest editor Katherine Groo</span></p>
<p style="margin: 0;"><br>
</p>
<p style="margin: 0;"><span style="font-size: 12px; color: rgb(255, 255, 255); font-family: Verdana, Geneva, sans-serif; font-weight: bold;">Intimacies of Scale</span></p>
<p style="margin: 0;"><span style="font-size: 12px; color: rgb(255, 255, 255); font-family: Verdana, Geneva, sans-serif;">Guest editors Tess Takahashi, Laliv Melamed, and JD Schepf</span></p>
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<p style="margin: 0;"><span style="font-size: 16px; color: rgb(22, 22, 22); font-family: Calibri, Helvetica, Arial, sans-serif;">Dear colleagues,</span></p>
<p style="margin: 0;"><br>
</p>
<p style="margin: 0;"><span style="font-size: 16px; color: rgb(31, 31, 31);">We are pleased to announce the Winter 2025
</span><span style="font-size: 16px; color: rgb(31, 31, 31); font-family: Calibri, Helvetica, Arial, sans-serif;">issue of
</span><a href="https://j9ms674ab.cc.rs6.net/tn.jsp?f=001Ze1Y0vIB63aFfbPkP0UVLvlkXRqPbTUE8P8M_oGNcygSqUrap1-PFMBuce8zGAMNHe00sksfNl_z03fuHXLXuI2bGFqaOiTaw62IPECdkoJ7SuF7rcAviAmtYjgbJShWbtnBBskGDfJQBmdMdpFE2-n93NAqIKqA&c=Oux-YyXHbhunUDWKK3BzCa9zTlrCzx-Io_m9vWARdNx5Kr5nHApUUQ==&ch=FCDLAZOR32w7vytKgAfS9eiX9-7UxUAEguLgHWgj9mKYPOy9Q0eqDA==" originalsrc="https://j9ms674ab.cc.rs6.net/tn.jsp?f=001Ze1Y0vIB63aFfbPkP0UVLvlkXRqPbTUE8P8M_oGNcygSqUrap1-PFMBuce8zGAMNHe00sksfNl_z03fuHXLXuI2bGFqaOiTaw62IPECdkoJ7SuF7rcAviAmtYjgbJShWbtnBBskGDfJQBmdMdpFE2-n93NAqIKqA&c=Oux-YyXHbhunUDWKK3BzCa9zTlrCzx-Io_m9vWARdNx5Kr5nHApUUQ==&ch=FCDLAZOR32w7vytKgAfS9eiX9-7UxUAEguLgHWgj9mKYPOy9Q0eqDA==" shash="JN+wjTUY+j0cW0XB5y1kQ1j4VPo5LcSnr/Ez895n1na1iPCkNcCQjwjrfYE9yGnRoEoSv+h+UjQJcJEqT3/57kUpGVUfYrzDMF5WbTv214SNmVHUorIWggF9u0am8bMv7JTuuhkTBx00RcZI9ekK73GysOns1TqlZGg/os78s7o=" rel="noopener noreferrer" target="_blank" style="font-size: 16px; color: rgb(6, 47, 250); font-family: Calibri, Helvetica, Arial, sans-serif; font-style: italic; font-weight: normal; text-decoration: underline;">Feminist
Media Histories</a><span style="font-size: 16px; color: rgb(31, 31, 31);">, a special issue on "Camille Billops and James V. Hatch: A Certain Defiance",</span><span style="font-size: 16px; color: rgb(31, 31, 31); font-family: Calibri, Helvetica, Arial, sans-serif;">
guest edited by</span><span style="font-size: 16px; color: rgb(22, 22, 22); font-family: Calibri, Helvetica, Arial, sans-serif;"> Terri Francis and Miriam Petty. In celebration of Black History Month, this issue will stream freely on the UC Press website through
the end of February!</span></p>
<p style="margin: 0;"><br>
</p>
<p style="margin: 0;"><span style="font-size: 16px; color: rgb(0, 0, 0);">We are also excited to announce the winner and runner-up of the 2024
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Gender and Feminisms</a><span style="font-size: 16px; color: blue;"> </span><span style="font-size: 16px; color: rgb(0, 0, 0);">Caucus Grad Essay Award:</span></p>
<ul>
<li style="font-size: 16px; color: rgb(0, 0, 0); font-weight: bold;" class="indent-0">
<span style="font-size: 16px; color: rgb(0, 0, 0); font-weight: bold;">Winner:</span><span style="font-size: 16px; color: rgb(0, 0, 0);"> Isabel Bartholomew - University of California, Irvine</span>
</li><li style="font-size: 16px; color: rgb(0, 0, 0); font-weight: bold;" class="indent-0">
<span style="font-size: 16px; color: rgb(0, 0, 0); font-weight: bold;">Runner-Up:</span><span style="font-size: 16px; color: rgb(0, 0, 0);"> Beth Pyner - Cardiff University and the University of Exeter</span>
</li></ul>
<p style="margin: 0;"><a href="https://j9ms674ab.cc.rs6.net/tn.jsp?f=001Ze1Y0vIB63aFfbPkP0UVLvlkXRqPbTUE8P8M_oGNcygSqUrap1-PFLBiNvfZBl-0_dNNWjnhQ-0wJhhgus70A6UGc0lLr4HSt_nKWR1s3lf4SGlzhKpzkepRppTO9Opx4_Y4NMlfWOhv_29imM6NiG_RJNaHHnzt5wYKt7WrkD21XfgZtI7AGmpDYYbiQN72uxZRroRz6_BG5tWuK7XTTCwRebQ4tpMu8OeZ51h3bJWZCWAMrIqoWm-5s14uOVQ7E5TyD4pE5Z-b3MuND-775Q==&c=Oux-YyXHbhunUDWKK3BzCa9zTlrCzx-Io_m9vWARdNx5Kr5nHApUUQ==&ch=FCDLAZOR32w7vytKgAfS9eiX9-7UxUAEguLgHWgj9mKYPOy9Q0eqDA==" originalsrc="https://j9ms674ab.cc.rs6.net/tn.jsp?f=001Ze1Y0vIB63aFfbPkP0UVLvlkXRqPbTUE8P8M_oGNcygSqUrap1-PFLBiNvfZBl-0_dNNWjnhQ-0wJhhgus70A6UGc0lLr4HSt_nKWR1s3lf4SGlzhKpzkepRppTO9Opx4_Y4NMlfWOhv_29imM6NiG_RJNaHHnzt5wYKt7WrkD21XfgZtI7AGmpDYYbiQN72uxZRroRz6_BG5tWuK7XTTCwRebQ4tpMu8OeZ51h3bJWZCWAMrIqoWm-5s14uOVQ7E5TyD4pE5Z-b3MuND-775Q==&c=Oux-YyXHbhunUDWKK3BzCa9zTlrCzx-Io_m9vWARdNx5Kr5nHApUUQ==&ch=FCDLAZOR32w7vytKgAfS9eiX9-7UxUAEguLgHWgj9mKYPOy9Q0eqDA==" shash="NqUfrQXq6rksX6kWRnOUUviBrxTyLsRqfGcU+K7iyt0f5cQL2Pwe6xO7VxdeMl//DKDF7+wQsgQ1uKbN9gxKPIZRpvi5FDAliyZE871JLE7D85npDU6qzFNlF5Jww9Ckgee+SiauRSAjHueZcaUm3yStihnPICqlU5bevg2rL8k=" rel="noopener noreferrer" target="_blank" style="font-size: 16px; color: blue; font-weight: normal; text-decoration: underline; font-style: normal;">2023's
winning essay, authored by Samantha Silver, is included in this issue</a><span style="font-size: 16px; color: rgb(0, 0, 0);">.</span></p>
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</p>
<p style="margin: 0;"><span style="font-size: 16px; color: rgb(0, 0, 0);">Last but not least, we are delighted to share our two latest CFPs!</span></p>
<ul>
<li style="font-size: 16px; color: blue;"><a href="https://j9ms674ab.cc.rs6.net/tn.jsp?f=001Ze1Y0vIB63aFfbPkP0UVLvlkXRqPbTUE8P8M_oGNcygSqUrap1-PFLBiNvfZBl-0CiAi94b43GcNynVhDmVvhBEpvRmcrQ5h73X34vEJNVaC0_htl8iKfC7eUqnnHdRsya6zl8nBNiqeUrxid1WTR1l9mQlgixbbGflf8_cqq9OZSae42I6CN51B7f-qIsFk3Z1MHNAlKG2s4j9gd35UYg==&c=Oux-YyXHbhunUDWKK3BzCa9zTlrCzx-Io_m9vWARdNx5Kr5nHApUUQ==&ch=FCDLAZOR32w7vytKgAfS9eiX9-7UxUAEguLgHWgj9mKYPOy9Q0eqDA==" originalsrc="https://j9ms674ab.cc.rs6.net/tn.jsp?f=001Ze1Y0vIB63aFfbPkP0UVLvlkXRqPbTUE8P8M_oGNcygSqUrap1-PFLBiNvfZBl-0CiAi94b43GcNynVhDmVvhBEpvRmcrQ5h73X34vEJNVaC0_htl8iKfC7eUqnnHdRsya6zl8nBNiqeUrxid1WTR1l9mQlgixbbGflf8_cqq9OZSae42I6CN51B7f-qIsFk3Z1MHNAlKG2s4j9gd35UYg==&c=Oux-YyXHbhunUDWKK3BzCa9zTlrCzx-Io_m9vWARdNx5Kr5nHApUUQ==&ch=FCDLAZOR32w7vytKgAfS9eiX9-7UxUAEguLgHWgj9mKYPOy9Q0eqDA==" shash="PyaJFi0bro3qvKOJw9oWYkZbc8hVmQsWSEOXH8LsbcwVZD/OXgIpNvMoGVFcxOJ6WLMBJo8Dhq710qw0DwPxoLtFGnMqBkB+6u80nt1vIMGgzH0+U/5TQCvcbxFHtBbCNvEtgbJfbEhG06fUfFer//Dul30eDht4xDtWmGE7j6w=" rel="noopener noreferrer" target="_blank" style="font-family: Calibri, Helvetica, Arial, sans-serif; font-size: 16px; color: blue; font-weight: normal; text-decoration: underline; font-style: normal;">Special
Issue on Craftwork within the Digital </a></li><li class="indent-1" style="font-size: 16px; color: rgb(0, 0, 0); margin-left: 3em;">
<span style="font-family: Calibri, Helvetica, Arial, sans-serif; font-size: 16px; color: rgb(0, 0, 0);">Guest Editors: Christina Corfield & Whitney Trettien</span></li><li style="font-size: 16px; color: rgb(0, 0, 0); margin-left: 3em;" class="indent-1">
<span style="font-family: Calibri, Helvetica, Arial, sans-serif; font-size: 16px; color: rgb(0, 0, 0);">Proposal deadline: February 15, 2025</span></li><li class="indent-0" style="font-size: 16px; color: blue;"><a href="https://j9ms674ab.cc.rs6.net/tn.jsp?f=001Ze1Y0vIB63aFfbPkP0UVLvlkXRqPbTUE8P8M_oGNcygSqUrap1-PFLBiNvfZBl-0Ggl24d5QSUjNSLmhcXse1-D4JOweNmQ-d0gxTqEVGnpH6CZFgBIjhX0h-T4L4ZtNtKkWjlMy3ej-GhqdT6TEUQJTmhJ5uV1T5w_oceT0C2EfTDrkDqP61HH-zK0ewbfnU6RXXr_MpQK3-rn37gjoLkCCn0LsaOlOukzhh6Hgis_OC0IV5c2pdw==&c=Oux-YyXHbhunUDWKK3BzCa9zTlrCzx-Io_m9vWARdNx5Kr5nHApUUQ==&ch=FCDLAZOR32w7vytKgAfS9eiX9-7UxUAEguLgHWgj9mKYPOy9Q0eqDA==" originalsrc="https://j9ms674ab.cc.rs6.net/tn.jsp?f=001Ze1Y0vIB63aFfbPkP0UVLvlkXRqPbTUE8P8M_oGNcygSqUrap1-PFLBiNvfZBl-0Ggl24d5QSUjNSLmhcXse1-D4JOweNmQ-d0gxTqEVGnpH6CZFgBIjhX0h-T4L4ZtNtKkWjlMy3ej-GhqdT6TEUQJTmhJ5uV1T5w_oceT0C2EfTDrkDqP61HH-zK0ewbfnU6RXXr_MpQK3-rn37gjoLkCCn0LsaOlOukzhh6Hgis_OC0IV5c2pdw==&c=Oux-YyXHbhunUDWKK3BzCa9zTlrCzx-Io_m9vWARdNx5Kr5nHApUUQ==&ch=FCDLAZOR32w7vytKgAfS9eiX9-7UxUAEguLgHWgj9mKYPOy9Q0eqDA==" shash="UriTkf2tHjB4qos4Mep5iE30Mr+FqSJlXPEun/PcteXRIQqAA7BDjbEifXl2Bqq4OZzD0FHzSDM1q+UBEzKIrNKFQw6dtwQ9hpIXd/beSOQo/FwyRtCe7RtERp3j4Hc9JdH2O868d1DdvhHYnLUp9kgvuLdBqcu8K90cuUcb+8A=" rel="noopener noreferrer" target="_blank" style="font-size: 16px; color: blue; font-weight: normal; text-decoration: underline; font-style: normal;">Special
Issue on Reproductive Politics & Media Histories</a></li><li class="indent-1" style="font-size: 16px; color: rgb(0, 0, 0); margin-left: 3em;">
<span style="font-size: 16px; color: rgb(0, 0, 0);">Guest Editor: Shelley Stamp</span></li><li class="indent-1" style="font-size: 16px; color: rgb(0, 0, 0); margin-left: 3em;">
<span style="font-size: 16px; color: rgb(0, 0, 0);">Proposal deadline: April 1, 2025</span></li></ul>
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</p>
<p style="margin: 0;"><span style="font-size: 16px; color: rgb(0, 0, 0); font-family: Arial, Verdana, Helvetica, sans-serif;">Please b</span><span style="font-size: 16px; color: rgb(0, 0, 0);">e sure to follow us on </span><a href="https://j9ms674ab.cc.rs6.net/tn.jsp?f=001Ze1Y0vIB63aFfbPkP0UVLvlkXRqPbTUE8P8M_oGNcygSqUrap1-PFBYu_0Cd97ulF0-HvcaAR84xtpMTENkoNClYbxFvFXxkMx317Zn7ETs1ecl1b9rg-zozI0Nh4OrN1VXnExm2Zlu7R0ffXM7pPucyCp6upV9BSJSCTyrCOyLTtSzy-e0K4Q==&c=Oux-YyXHbhunUDWKK3BzCa9zTlrCzx-Io_m9vWARdNx5Kr5nHApUUQ==&ch=FCDLAZOR32w7vytKgAfS9eiX9-7UxUAEguLgHWgj9mKYPOy9Q0eqDA==" originalsrc="https://j9ms674ab.cc.rs6.net/tn.jsp?f=001Ze1Y0vIB63aFfbPkP0UVLvlkXRqPbTUE8P8M_oGNcygSqUrap1-PFBYu_0Cd97ulF0-HvcaAR84xtpMTENkoNClYbxFvFXxkMx317Zn7ETs1ecl1b9rg-zozI0Nh4OrN1VXnExm2Zlu7R0ffXM7pPucyCp6upV9BSJSCTyrCOyLTtSzy-e0K4Q==&c=Oux-YyXHbhunUDWKK3BzCa9zTlrCzx-Io_m9vWARdNx5Kr5nHApUUQ==&ch=FCDLAZOR32w7vytKgAfS9eiX9-7UxUAEguLgHWgj9mKYPOy9Q0eqDA==" shash="FZaLhWibTN7P6JGnggPP8vXG/PqxWjw+lpwCsCtTnd75JBT1+JCllhuyWRaWUz0FBIpjnbVir6p9oQiVvkMsDjV8Jb+PbsBWZmEdgol6JMJFnOawpuRlniXxn2nSeKxyNAP7hEnV9Pg5TnUYphR2pgQvL0WB63NWM6xaI5p/QkU=" rel="noopener noreferrer" target="_blank" style="font-size: 16px; color: blue; font-weight: normal; text-decoration: underline; font-style: normal;">Facebook</a><span style="font-size: 16px; color: rgb(0, 0, 0);"> and </span></p>
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news about our limited-time free article access, upcoming events, and more! </span></p>
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<p style="margin: 0;"><span style="font-size: 16px; color: rgb(209, 107, 4); font-weight: bold;">Editors' Introduction – A Certain Defiance: The Filmic Art, Archives, and Activism of Camille Billops and James V. Hatch</span></p>
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<p style="margin: 0;"><span style="font-size: 24px; color: rgb(0, 0, 0);"></span><span style="font-size: 16px; color: rgb(80, 80, 80); font-family: Montserrat, sans-serif;">With their individual and collective archival impulses in mind, as a whole, the Hatch-Billops
Collection was designed to redress the gaps created by American racism and anti-Blackness in particular. Incorporated and chartered in 1975 under the New York State Board of Regents as a not-for-profit research library, Jim and Camille articulated an eloquent
and powerful mission statement consisting of “three major purposes”:</span></p>
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<ol>
<li style="font-size: 16px; color: rgb(80, 80, 80);"><span style="font-size: 16px; color: rgb(80, 80, 80); font-family: Montserrat, sans-serif;">To collect and preserve primary and secondary resource materials in the Black Cultural Arts</span></li><li style="font-size: 16px; color: rgb(80, 80, 80);"><span style="font-size: 16px; color: rgb(80, 80, 80); font-family: Montserrat, sans-serif;">To provide tools and access to these materials for artists and scholars, as well as the general public</span></li><li style="font-size: 16px; color: rgb(80, 80, 80);"><span style="font-size: 16px; color: rgb(80, 80, 80); font-family: Montserrat, sans-serif;">To develop programs in the arts that use the resources of the Collection</span></li></ol>
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<p style="margin: 0;"><span style="font-size: 16px; color: rgb(80, 80, 80); font-family: Montserrat, sans-serif;">Their sustained attention to Black aesthetic, cultural, historical, and communal matters and approaches was always expansive rather than exclusive.
This sensibility is evident in their films, perhaps most explicitly in</span><span style="font-size: 16px; color: rgb(80, 80, 80); font-family: Montserrat, sans-serif; font-style: italic;"> The KKK Boutique Ain’t Just Rednecks</span><span style="font-size: 16px; color: rgb(80, 80, 80); font-family: Montserrat, sans-serif;"> with
its intraracial and global insights into racism and sexism, and even in </span><span style="font-size: 16px; color: rgb(80, 80, 80); font-family: Montserrat, sans-serif; font-style: italic;">Take Your Bags</span><span style="font-size: 16px; color: rgb(80, 80, 80); font-family: Montserrat, sans-serif;">,
with its diasporic understanding and critique of the pillaging of African creativity and humanity. But they were also unapologetic and unrepentant in their centering and championing of Black artistry in explicit defiance of American anti-Blackness—long before
that term became fashionable or even widely circulated. We cannot possibly capture the profound variety and interdisciplinary of their work across time in this special issue, but we and some of our authors do gesture toward it in ways that are tantalizing
and provocative.</span></p>
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<p style="margin: 0;"><span style="font-size: 16px; color: rgb(80, 80, 80); font-family: Montserrat, sans-serif;">The six scholarly essays featured here provide new commentary and analysis of all six of the films that Billops and Hatch made together between
1982 and 2002, namely, </span><span style="font-size: 16px; color: rgb(80, 80, 80); font-family: Montserrat, sans-serif; font-style: italic;">Suzanne, Suzanne</span><span style="font-size: 16px; color: rgb(80, 80, 80); font-family: Montserrat, sans-serif;"> (1982); </span><span style="font-size: 16px; color: rgb(80, 80, 80); font-family: Montserrat, sans-serif; font-style: italic;">Older
Women and Love</span><span style="font-size: 16px; color: rgb(80, 80, 80); font-family: Montserrat, sans-serif;"> (1987); </span><span style="font-size: 16px; color: rgb(80, 80, 80); font-family: Montserrat, sans-serif; font-style: italic;">Finding Christa</span><span style="font-size: 16px; color: rgb(80, 80, 80); font-family: Montserrat, sans-serif;"> (1991); </span><span style="font-size: 16px; color: rgb(80, 80, 80); font-family: Montserrat, sans-serif; font-style: italic;">The
KKK Boutique Ain’t Just Rednecks: A DocuFantasy about Everybody’s Racism</span><span style="font-size: 16px; color: rgb(80, 80, 80); font-family: Montserrat, sans-serif;"> (1994); </span><span style="font-size: 16px; color: rgb(80, 80, 80); font-family: Montserrat, sans-serif; font-style: italic;">Take
Your Bags</span><span style="font-size: 16px; color: rgb(80, 80, 80); font-family: Montserrat, sans-serif;"> (1998); and </span><span style="font-size: 16px; color: rgb(80, 80, 80); font-family: Montserrat, sans-serif; font-style: italic;">A String of Pearls</span><span style="font-size: 16px; color: rgb(80, 80, 80); font-family: Montserrat, sans-serif;"> (2002).
The authors often return to a constellation of themes and ideas that are inextricable from the Billops-Hatch film canon: the legacies of family; the interplay between the personal and political in art, race, gender, age; intersectionality and its layered effects;
the possibilities and limits of experimental aesthetics; the demands, pleasures, and banalities of partnership in life and work; and the consistently interdisciplinary and intermedial tendency of the work itself.</span></p>
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<p style="text-align: left; margin: 0;" align="left"><span style="font-size: 14px; font-weight: normal; font-style: italic;">Feminist Media Histories
</span><span style="font-size: 14px; font-weight: normal;">publishes original research, oral histories, primary documents, conference reports, and archival news on radio, television, film, video, digital technologies, and other media across a range of historical
periods and global contexts. Inter-medial and trans-national in its approach, </span>
<span style="font-size: 14px; font-weight: normal; font-style: italic;">Feminist Media Histories
</span><span style="font-size: 14px; font-weight: normal;">examines the historical role gender and sexuality have played in varied media technologies, and documents the engagement of women and LGBTQ communities with these media as audiences, users and consumers,
creators and executives, critics, writers and theorists, technicians and laborers, educators, activists, and librarians.
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<p style="text-align: left; margin: 0;" align="left"><span style="font-size: 14px; font-style: italic; font-weight: normal;">Feminist Media Histories</span><span style="font-size: 14px; font-weight: normal;"> is published quarterly by the University of California
Press. </span></p>
<p style="text-align: left; margin: 0;" align="left"><span style="font-size: 14px; font-weight: normal;">More information is available </span><a href="https://j9ms674ab.cc.rs6.net/tn.jsp?f=001Ze1Y0vIB63aFfbPkP0UVLvlkXRqPbTUE8P8M_oGNcygSqUrap1-PFG0kuwZNKCd9J9GW_iY4TfUznDVl_iTj_Mn40sP7kFUvPUQc3x22vPeUlGpIGz9Xpp1Rk5L9TkhzqIXbr5UxXdPTE2sGvbiDlA==&c=Oux-YyXHbhunUDWKK3BzCa9zTlrCzx-Io_m9vWARdNx5Kr5nHApUUQ==&ch=FCDLAZOR32w7vytKgAfS9eiX9-7UxUAEguLgHWgj9mKYPOy9Q0eqDA==" originalsrc="https://j9ms674ab.cc.rs6.net/tn.jsp?f=001Ze1Y0vIB63aFfbPkP0UVLvlkXRqPbTUE8P8M_oGNcygSqUrap1-PFG0kuwZNKCd9J9GW_iY4TfUznDVl_iTj_Mn40sP7kFUvPUQc3x22vPeUlGpIGz9Xpp1Rk5L9TkhzqIXbr5UxXdPTE2sGvbiDlA==&c=Oux-YyXHbhunUDWKK3BzCa9zTlrCzx-Io_m9vWARdNx5Kr5nHApUUQ==&ch=FCDLAZOR32w7vytKgAfS9eiX9-7UxUAEguLgHWgj9mKYPOy9Q0eqDA==" shash="nKTk8RTupIU/SvbEaGfAaQ1fl+3c5yyRh8gbaHArzXTDbfblfekhkrJ1lEJbgSEifkd8KFNt7Z7vFCB3S1ulCbssKIhcEgZOs9Y5BMpgrVd8jlY7XFTZx8IvrfUC+2xgrNRGxFR2YMJgpf7LY1Xg8FDkoHdIuu1pS4xe+GPu5UA=" target="_blank" style="font-size: 14px; font-weight: normal; color: #0000FF; text-decoration: underline; font-style: normal;">here</a><span style="font-size: 14px; font-weight: normal;">.</span></p>
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<p style="margin: 0;"><span>Feminist Media Histories | </span><span>University of California Press, 155 Grand Avenue</span><span> |
</span><span>Oakland, CA 94612 US</span></p>
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