[UWcinema] TOMORROW (Fri, 3PM) - CMS Works in Progress Talk: "20th Century Fox’s CinemaScope Lens-leasing Program and Hong Kong Anamorphic Cinema’s Deterred Beginnings in the 1950s" by Yumo Yan

[UW Cinema Studies List via Uwcinema]

Hi All,

Please be reminded that the talk will start at 3 PM tomorrow.
Looking forward to seeing you there!

Cheers,
Mavis Siu

________________________________
From: Mavis Siu
Sent: Friday, October 18, 2024 12:06 PM
To: cmsfaculty at uw.edu <cmsfaculty at uw.edu>; cmsfaculty_adjuncts at uw.edu <cmsfaculty_adjuncts at uw.edu>; cmsgrads at uw.edu <cmsgrads at uw.edu>
Subject: CMS Works in Progress Talk: "20th Century Fox’s CinemaScope Lens-leasing Program and Hong Kong Anamorphic Cinema’s Deterred Beginnings in the 1950s" by Yumo Yan


Hi All,


Please find below the details for the upcoming Works in Progress Talk:


20th Century Fox’s CinemaScope Lens-leasing Program and Hong Kong Anamorphic Cinema’s Deterred Beginnings in the 1950s

 Yumo Yan (PhD candidate, Cinema and Media Studies)[cid:0c4a4dbc-9f5b-4a10-ad49-f368e59e450f]

Friday, Oct 25th, 3:00 PM - 5:00 PM, Allen Auditorium, Allen Library


What was Hong Kong’s first anamorphic film has long been subject to debate. In this talk, I present my archival findings around two films made by the Hong Kong Grandview Film Company that tried but ultimately failed to kickstart the colony’s anamorphic era in the early 1950s—the 1954 Xin Yutangchun (The Love of Susan, now lost), and the 1956 Xiao Taohong (Little Peach Blossom, never completed). I reveal how Grandview’s failure to produce the colony’s first anamorphic film as early as 1954 was a direct result of 20th Century Fox’s stringent CinemaScope lens-leasing program, which controlled the global distribution of CinemaScope taking lenses. Faced with Fox’s monopoly over anamorphic technology, I demonstrate how Hong Kong film companies like Grandview sought alternative and creative ways to combat American technological imperialism.


Feel free to forward it to interested parties, thank you. Hope to see you there!


Cheers,

Mavis Siu

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