From uwcinema at u.washington.edu Wed Oct 11 09:39:42 2023 From: uwcinema at u.washington.edu (UW Cinema Studies List) Date: Mon Mar 18 15:03:39 2024 Subject: [UWcinema] [Pacific Northwest Media Commons] Upcoming Event Message-ID: Hi everyone, I hope you all had restful summers. We have our first Pacific Northwest Media Commons event of the academic year coming up this Friday! Dr. John Trafton will present his work-in-progress talk ?California Eclectic: 1920s Historical Revival Architecture as Cinematic Intertext.? See the attached flyer for the full details. You can also join our Facebook event by following this link: https://www.facebook.com/events/620832296917495 And please join our Facebook page for further updates: https://www.facebook.com/groups/398344665719853 Sincerely, -Ben Benjam?n Schultz-Figueroa (he, him, his) Assistant Professor of Film Studies Seattle University 901 12th Ave Seattle, WA 98122 schultzfigub@seattleu.edu https://www.benjaminschultzfigueroa.com Author of The Celluloid Specimen: Moving Image Research into Animal Life available from UC Press here: https://www.ucpress.edu/book/9780520342347/the-celluloid-specimen -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: Title California Eclectic 1920s Historical Revival Architecture as Cinematic Intertext Abstract By the 1920s, cinema regularly provided audiences with a unifying language through which to read vis.png Type: image/png Size: 1070071 bytes Desc: Title California Eclectic 1920s Historical Revival Architecture as Cinematic Intertext Abstract By the 1920s, cinema regularly provided audiences with a unifying language through which to read vis.png URL: From uwcinema at u.washington.edu Tue Oct 17 16:10:19 2023 From: uwcinema at u.washington.edu (UW Cinema Studies List) Date: Mon Mar 18 15:03:39 2024 Subject: [UWcinema] Feminist Media Histories Fall 2023 issue is now live! Message-ID: Hi folks, I hope you are staying warm and dry! I'm pleased to announce that our Fall 2023 issue is now live on our website: https://online.ucpress.edu/fmh/issue/9/4 This issue features one interview by our own *Sarah Choi* in conversation with *Sasha Su-Ling Welland*, chair of Gender, Women and Sexuality Studies and Sabrina Craig, director of South Side Home Movie Project in Chicago. Another interview is by *Leilani Nishime*, professor in Communication and adjunct faculty in CMS, conducted with directors of the Seattle Asian American Film Festival. Jennifer Bean's introduction "Feeling Videographic Criticism" talks a bit about the Queer Feelings and Videographic Criticism seminar she taught last spring, which inspired this issue. I'm attaching the FMH newsletter below. Let's give a round of applause to these amazing contributors from our own community!?? Best, Yumo -- Yumo Yan (she/her/hers) PhD Candidate Department of Cinema and Media Studies University of Washington, Seattle Managing Editor, *Feminist Media Histories: An International Journal * -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: Fall 2023 newsletter.pdf Type: application/pdf Size: 126932 bytes Desc: not available URL: From uwcinema at u.washington.edu Wed Oct 18 11:20:20 2023 From: uwcinema at u.washington.edu (UW Cinema Studies List) Date: Mon Mar 18 15:03:39 2024 Subject: [UWcinema] Fwd: (Corrected Link) Feminist Media Histories - New Issue FALL 2023: Open Issue In-Reply-To: <1140724969865.1133768160073.2141772472.0.581409JL.2002@synd.ccsend.com> References: <1140724969865.1133768160073.2141772472.0.581409JL.2002@synd.ccsend.com> Message-ID: Hi again, Sorry for sending multiple emails. I inserted a wrong link to Jennifer's introduction in the previous newsletter, so I am resending a corrected version. Can you please distribute this again so that everyone has the right link? Thank you! Here is the original message: Hi folks, I hope you are staying warm and dry! I'm pleased to announce that our Fall 2023 issue is now live on our website: https://online.ucpress.edu/fmh/issue/9/4 This issue features one interview by our own *Sarah Choi* in conversation with *Sasha Su-Ling Welland*, chair of Gender, Women and Sexuality Studies and Sabrina Craig, director of South Side Home Movie Project in Chicago. Another interview is by *Leilani Nishime*, professor in Communication and adjunct faculty in CMS, conducted with directors of the Seattle Asian American Film Festival. Jennifer Bean's introduction "Feeling Videographic Criticism" talks a bit about the Queer Feelings and Videographic Criticism seminar she taught last spring, which inspired this issue. I'm attaching the FMH newsletter below. Let's give a round of applause to these amazing contributors from our own community!?? Best, Yumo ---------- Forwarded message --------- From: Feminist Media Histories Date: Wed, Oct 18, 2023 at 11:12?AM Subject: (Corrected Link) Feminist Media Histories - New Issue FALL 2023: Open Issue To: CURRENT ISSUE OPEN ISSUE Vol. 9 No. 4, FALL 2023 FEATURED ARTICLES Introduction: Feeling Videographic Criticism JENNIFER M. BEAN VIDEO ESSAYS Filling (Feeling) the Archival Void: The Case of Helena Cortesina's Flor de Espa?a BARBARA ZECCHI Climate Rage: Extractivism and Dispossession in The Olive Tree CELIA SAINZ Jos?phine Baker Watches Herself TERRI FRANCIS Falling: 3 x Girls in Uniform: The Video Essay as Curatorial Practice CATHERINE GRANT ARTICLES In Search of Zora Neale Hurston in Hollywood KALLAN BENJAMIN "More Hawaiian Than Hawaii Itself": The Hula Craze and US Empire in the Progressive Era BRIAND GENTRY Creating a "Feminist Nation": The International Videoletters Network, 1975-77 LEXINGTON DAVIS INTERVIEWS Cross-Generational Storytelling: A Conversation with Sasha Su-Ling Welland and Sabrina Craig SARAH CHOI Creating Community: An Interview with Vanessa Au and Ellison Shieh of the Seattle Asian American Film Festival LEILANI NISHIME FUTURE ISSUES Media Identitopias: The Long History of Pleasure and Injury in (Social) Media Guest Editors Rebecca Wanzo and Reem Hilu Curating Feminist Film Archives Guest Editors Maggie Hennefeld and Laura Horak Latinxs and Digital Media Guest Editors Frances Negr?n-Muntaner and Orianna Calder?n-Sandova CALL FOR PAPERS Intimacies of Scale Guest editors Laliv Melamed, J.D. Schnepf, and Tess Takahashi Gender, Media, and Developmentalism Guest editors Dalila Missero and Masha Salazkina WRITING AWARDS SCMS Gender and Feminisms Caucus Graduate Student Writing Prize Submissions due ?November 1, 2023 [image: Facebook] [image: Twitter] Free 30-day trial subscriptions are available to all campus libraries. Remember: every issue of FMH is now available via Print on Demand. Details are here . Dear colleagues, We're pleased to announce the Fall 2023 issue of Feminist Media Histories . Please note we have two active CFPs ; see below for details. We are also accepting submissions for the SCMS Gender and Feminisms Caucus Graduate Student Writing Prize . The deadline for this competition is November 1, 2023. Also, be sure to follow us on Facebook and Twitter/X for news about our limited-time free article access, as well as author recommendations, and more! Introduction: Feeling Videographic Criticism ?This issue of Feminist Media Histories is the result of an experiment. On one hand, it is the first open topic issue in the journal?s history, an experiment undertaken to see what voices, perspectives and projects might emerge without a guiding theme. The result is brilliantly robust, including two interviews that focus on local and regional media facilitators. In one, Sarah Choi talks with Sabrina Craig, the director of community engagement for the South Side Home Movie Project in Chicago, as well as Asian American anthropologist Sasha Su-Ling Welland, about the imperative of women?s cross-generational storytelling as a counterarchival feminist practice. In the second, Leilani Nishime converses with Vanessa Au and Ellison Shieh, directors of the Asian American Film Festival in Seattle, about the ?inherently feminist? and queer nature of their annual event. There are also three research articles that, respectively, assert the centrality of the grassroots feminist media initiative International Videoletters to guerilla television in the 1970s (Lexington Davis), speculate on the unfinished business of Zora Neale Hurston?s contract with Paramount in the 1940s (Kallan Benjamin), and interrogate the fever for Hula performers in the US as a distinct mode of colonial consumption in the 1910s and 1920s (Briand Gentry). These five entries, which include Davis? and Benjamin?s award-winning essays (2022 SCMS Gender and Feminisms Caucus Graduate Student Writing Competition), would make for a compelling issue. But there is another experiment at work in these pages, conducted to explore the potential of videographic criticism for feminist media historiographies and to announce the inclusion of audiovisual essays in the pages of this journal. Because this mode of critical expression is relatively new, and because efforts to coordinate feminist, queer, decolonial and antiracist videographic work has been sporadic at best, it makes sense to offer an overview of the concepts and materials at stake as a means of introducing this issue. To begin, then, what is videographic criticism? At the most basic level, the phrase refers to criticism that is written (?graph?) with video. It more broadly refers to a burgeoning area of research, inquiry and experimentation that repurposes sound and moving images to critically reflect on media comprised of sound and moving images. Beyond that I?m not willing to say, insofar as I agree with Drew Morton that defining videographic research too neatly might stifle the field, prematurely restricting its potentiality. For this reason, Feminist Media Histories will not prescribe the rhetorical form, display structure or even the length of audiovisual essays carried in these pages; we likewise welcome diversity in tone and style. We do, however, expect this work to produce new knowledge-effects that speak to this journal?s mission, and which might occasionally take the form of a videographic ?study,? ?exercise,? or ?experiment,? as with several of the works that appear in this inaugural dossier. But our intention is to predominantly publish videographic essays, also known as audiovisual essays, or video essays. It is by now common to note that the term, ?essay,? which literally means ?to try? or ?to attempt,? usefully conveys the explorative, experimental nature of this multimedia mode of expression. For Feminist Media Histories, that term also foregrounds the equal weight this journal grants to video essays and to written essays, a consistency that applies to the double-blind peer review process that any essay published here will undergo. [...] ? Feminist Media Histories publishes original research, oral histories, primary documents, conference reports, and archival news on radio, television, film, video, digital technologies, and other media across a range of historical periods and global contexts. Inter-medial and trans-national in its approach, Feminist Media Histories examines the historical role gender and sexuality have played in varied media technologies, and documents the engagement of women and LGBTQ communities with these media as audiences, users and consumers, creators and executives, critics, writers and theorists, technicians and laborers, educators, activists, and librarians. ? Feminist Media Histories is published quarterly by the University of California Press. ?More information is available here . Feminist Media Histories | University of California Press, 155 Grand Avenue, Oakland, CA 94612 Unsubscribe yy2887@uw.edu Update Profile | Constant Contact Data Notice Sent by fmheditor@ucpress.edu powered by [image: Trusted Email from Constant Contact - Try it FREE today.] Try email marketing for free today! -- Yumo Yan (she/her/hers) PhD Candidate Department of Cinema and Media Studies University of Washington, Seattle Managing Editor, *Feminist Media Histories: An International Journal * -------------- next part -------------- An HTML attachment was scrubbed... URL: From uwcinema at u.washington.edu Wed Oct 18 11:22:00 2023 From: uwcinema at u.washington.edu (UW Cinema Studies List) Date: Mon Mar 18 15:03:39 2024 Subject: [UWcinema] =?utf-8?q?Fwd=3A_=28Corrected_Link=29_Feminist_Media_H?= =?utf-8?q?istories_-_New_Issue_FALL_2023=3A_Open_Issue?= Message-ID: EN: This is an automated message reply: Thank you for contacting DrGreenStore support, your email has been received and will be answered by our staff within max. 24 hours, and definitively within 48 hours. FROM the 13th of JULY until the 24th of July 2023, WE ARE CLOSED DUE TO LOCAL FESTIVITIES AND INVENTORY, YOUR ORDER WILL BE DISPATCHED SOON AFTER, YOUR EMAIL WILL BE REPLIED ASAP. THANK YOU! Thank you ! DE: Dies ist eine automatische Antwort Antwort: Vielen Dank f?r die Kontaktaufnahme mit DrGreenStore, Ihre E-Mail wurde empfangen und wird von unseren Mitarbeitern innerhalb von max. 24 Stunden und definitiv innerhalb von 48 Stunden. Vom 13. Juli bis 24. 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TR: Bu, otomatik ileti yan?tlamas?d?r: DrGreenStore deste?iyle ileti?im kurdu?unuz i?in te?ekk?r ederiz, e-postan?z bize ula?t? ve 24 saat'e ve kesinlikle 48 saat i?inde cevap vericegez. 13 Temmuz ile 24 Temmuz 2023 ARASI YEREL FEST?V?TELER VE ENVANTER NEDEN?YLE KAPALIYIZ. S?PAR??LERINIZ SONRA G?NDERILECEKTIR, EMAIL'?N?ZE en k?sa zamanda cevap verilecektir. TE?EKK?R EDER?M! Te?ekk?r ederiz ! DrGreenStore Team From uwcinema at u.washington.edu Mon Oct 30 14:23:08 2023 From: uwcinema at u.washington.edu (UW Cinema Studies List) Date: Mon Mar 18 15:03:39 2024 Subject: [UWcinema] Fwd: Ari Astern Symposium In-Reply-To: References: Message-ID: Dear all ? a heads up that Cain Miller, a PhD student in CMS, will be discussing his work on ?queering? the films of Ari Astern and Bergman at this symposium, which also features a talk by Ari Astern! See attached flyer for details. I?m also pasting in below a link to register for the event on zoom. (Please note that all times listed are for Australian Eastern Daylight Time). Cheers, JB Here is the link to register for the event: https://fass-comms.sydney.edu.au/pub/pubType/EO/pubID/zzzz652dc4196a33c610/interface.html -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: The Horror Cinema of Ari Aster Symposium.pdf Type: application/pdf Size: 4144847 bytes Desc: The Horror Cinema of Ari Aster Symposium.pdf URL: